This study aims to discuss the notion of beautiful voice in artistic or classical singing and the possibility of defining the beauty of tone. To this end, I analyse the thoughts of Edgar Herbert-Caesari, a 20th century British singing teacher and writer, based on five of his books. While most previous studies have mainly focussed on his singing pedagogy and techniques, this study contributes to the literature by examining his thoughts about ‘beautiful’ singing, which remain relatively unexplored. His thoughts revealed three main ideas. First, he thinks that it is possible to define the Beauty of tone because vocal organs do have a natural movement. Second, he insists that singers, singing teachers and even audiences must recognize beauty of...
The idea that classical singers should join the notes of the vocal line by maintaining a consistent ...
The prime purpose of this paper is to draw on a range of diverse literatures to clarify those elemen...
Is there a synergy between contemporary voice science and early music? Can the developing soprano be...
The ideal in the 'classical' singing voice includes an extended pitch range with a 'perfect scale,' ...
The beginning of the 20th century saw the rise of modernist aesthetics which moulded modern performa...
This ethnographic enterprise concerns the aesthetics of the singing voice in Western classical music...
Healthy vocal production requires attention to breath management, vocal resonance, vocal registratio...
International audienceClassical singing is known to be defined with a scholarly tradition. This voca...
The primary purpose of this study was to clarify the underlying principles of singers' resonance and...
International audienceClassical singing is known to be defined with a scholarly tradition. This voca...
This thesis investigates the phenomenon of perceived vocal 'beauty' in singing, being that moment in...
The identification of particular vocal techniques in singing, which combine to form distinctive voca...
none1noAny discussion about the voices of singers active before the invention of the phonographic re...
This article offers a comparative analysis of singing education. The purpose is to bring an understa...
The aim of this study was to identify, through literature, similarities and/or differences between I...
The idea that classical singers should join the notes of the vocal line by maintaining a consistent ...
The prime purpose of this paper is to draw on a range of diverse literatures to clarify those elemen...
Is there a synergy between contemporary voice science and early music? Can the developing soprano be...
The ideal in the 'classical' singing voice includes an extended pitch range with a 'perfect scale,' ...
The beginning of the 20th century saw the rise of modernist aesthetics which moulded modern performa...
This ethnographic enterprise concerns the aesthetics of the singing voice in Western classical music...
Healthy vocal production requires attention to breath management, vocal resonance, vocal registratio...
International audienceClassical singing is known to be defined with a scholarly tradition. This voca...
The primary purpose of this study was to clarify the underlying principles of singers' resonance and...
International audienceClassical singing is known to be defined with a scholarly tradition. This voca...
This thesis investigates the phenomenon of perceived vocal 'beauty' in singing, being that moment in...
The identification of particular vocal techniques in singing, which combine to form distinctive voca...
none1noAny discussion about the voices of singers active before the invention of the phonographic re...
This article offers a comparative analysis of singing education. The purpose is to bring an understa...
The aim of this study was to identify, through literature, similarities and/or differences between I...
The idea that classical singers should join the notes of the vocal line by maintaining a consistent ...
The prime purpose of this paper is to draw on a range of diverse literatures to clarify those elemen...
Is there a synergy between contemporary voice science and early music? Can the developing soprano be...