Event Description Presentation was given using PowerPoint with integrated video clips to contrast the treatment of the border crossing experience between various movies. Feedback • The use of technology to present multiple clips side by side for comparison and contrast was complimented by many of the attendees at it facilitated the visualization for those who were not intimately familiar with the movies. This also provided a visual substance to the argument presented in the presentation. • One of the members of the audience argued that on some fundamental level this child protagonist really does not differ from the young adult protagonists in the other movies. This criticism forced me to make additional effort to underscore the diff...
In the south and north of México, the border regions are a stage of complex processes in migration, ...
Media is used to shape the identity of a nation. It serves as a vehicle to reassure and reaffirm the...
<p>Border Images and Imaginaries: Spectral Aesthetics and Visual Media of Americanity at the U.S.-Me...
Sharing the interdisciplinary perspective on cultural hybridization on the U.S./Mexico border as evi...
The U.S.-Mexican border towns are often defined as both multicultural and relatively young trans...
This article rethinks the concept of border through a spatial and phenomenological ethnographic film...
The declining sovereignty of nation-states intensifies the symbolic functions performed by physical ...
Around the turn of the twenty-first century, the harsh conditions experienced around the Mexican-Ame...
Over the last several decades, the boundaries of languages and national and ethnic identities have b...
Smuggled is the latest of a vast repertoire of films focusing on the issue of the illegal border cro...
The border between Mexico and the United States is known for being one of the largest, busiest and m...
La frontière nord du Mexique est une sorte d’aimant qui attire d’immenses migrations humaines. Bien ...
The Mexican-Amencan border has been described by Mexican filmmaker Maria ...
This paper uses films to discuss the social conditions, discrimination and violence against the wome...
Our goal in this article is to demonstrate how perspective, political agenda, and personal experienc...
In the south and north of México, the border regions are a stage of complex processes in migration, ...
Media is used to shape the identity of a nation. It serves as a vehicle to reassure and reaffirm the...
<p>Border Images and Imaginaries: Spectral Aesthetics and Visual Media of Americanity at the U.S.-Me...
Sharing the interdisciplinary perspective on cultural hybridization on the U.S./Mexico border as evi...
The U.S.-Mexican border towns are often defined as both multicultural and relatively young trans...
This article rethinks the concept of border through a spatial and phenomenological ethnographic film...
The declining sovereignty of nation-states intensifies the symbolic functions performed by physical ...
Around the turn of the twenty-first century, the harsh conditions experienced around the Mexican-Ame...
Over the last several decades, the boundaries of languages and national and ethnic identities have b...
Smuggled is the latest of a vast repertoire of films focusing on the issue of the illegal border cro...
The border between Mexico and the United States is known for being one of the largest, busiest and m...
La frontière nord du Mexique est une sorte d’aimant qui attire d’immenses migrations humaines. Bien ...
The Mexican-Amencan border has been described by Mexican filmmaker Maria ...
This paper uses films to discuss the social conditions, discrimination and violence against the wome...
Our goal in this article is to demonstrate how perspective, political agenda, and personal experienc...
In the south and north of México, the border regions are a stage of complex processes in migration, ...
Media is used to shape the identity of a nation. It serves as a vehicle to reassure and reaffirm the...
<p>Border Images and Imaginaries: Spectral Aesthetics and Visual Media of Americanity at the U.S.-Me...