This paper examines the development of the contemporary art scene in Kosovo from 1990 to 2018, exploring its activist character in response to the sociopolitical context. The collapse of the socialist system and the abolition of Kosovo’s autonomy within Yugoslavia set the stage for significant changes in art and culture. Artists felt a need to react to negative social processes, leading to a transition from traditional media to experimental forms of expression. The proximity of art and politics became evident, as the art scene in Kosovo took on an activist, protest-oriented, and politically engaged character. This abstract highlight the transformative power of art in times of crisis, emphasizing the artists’ adaptation to changing circumsta...
This dissertation explores the growth of a contemporary public art (also known as socially engaged a...
This chapter traces the development of an “alloy” of artist and activist strategies in the context o...
The article analyses the relatively meager response of artists to the ‘war on terror’ compared to th...
This analysis addresses the developmental background of artistic institutions in Kosovo after World ...
This paper represents an examination in the field of visual art, in particular of painting, where po...
This Ph.D. dissertation traces the emergence and development of an important current of socially eng...
Living in a space with a socio-political turbulence over the centuries and in a post war country mak...
and Conflict Societies. The Examples of Kosovo and Afghanistan”1 I will discuss the hypothesis that ...
The paper is devoted to studying current strategies in the transformation of cultural landscape in p...
This project suggests readings of contemporary performative artworks from the South Slavic region th...
The paper presents a close reading of the performance “Drinking of Water” from 1974 by the Yugoslav ...
The article documents the relation of performance art, actions, interventions, happenings, and the d...
This dissertation examines Albania’s fine art world after the end of state socialism in 1991. Drawin...
Resistance features a selection of overtly non-conformist positions in the contemporary visual art s...
The paper is devoted to studying current strategies in the transformation of cultural landscape in p...
This dissertation explores the growth of a contemporary public art (also known as socially engaged a...
This chapter traces the development of an “alloy” of artist and activist strategies in the context o...
The article analyses the relatively meager response of artists to the ‘war on terror’ compared to th...
This analysis addresses the developmental background of artistic institutions in Kosovo after World ...
This paper represents an examination in the field of visual art, in particular of painting, where po...
This Ph.D. dissertation traces the emergence and development of an important current of socially eng...
Living in a space with a socio-political turbulence over the centuries and in a post war country mak...
and Conflict Societies. The Examples of Kosovo and Afghanistan”1 I will discuss the hypothesis that ...
The paper is devoted to studying current strategies in the transformation of cultural landscape in p...
This project suggests readings of contemporary performative artworks from the South Slavic region th...
The paper presents a close reading of the performance “Drinking of Water” from 1974 by the Yugoslav ...
The article documents the relation of performance art, actions, interventions, happenings, and the d...
This dissertation examines Albania’s fine art world after the end of state socialism in 1991. Drawin...
Resistance features a selection of overtly non-conformist positions in the contemporary visual art s...
The paper is devoted to studying current strategies in the transformation of cultural landscape in p...
This dissertation explores the growth of a contemporary public art (also known as socially engaged a...
This chapter traces the development of an “alloy” of artist and activist strategies in the context o...
The article analyses the relatively meager response of artists to the ‘war on terror’ compared to th...