Through an exploration of peer mentoring in a university level jazz ensemble, I examined how three graduate students learned to perform and learned to teach based in a specific cultural music context—jazz. Framed within the universal-pluralistic debate, three students pursuing graduate degrees (Music Education, Mechanical Engineering, Philosophy) shared their prior experiences with learning to play jazz and being mentored during that process, and with mentoring each other and mentoring undergraduate students in a jazz ensemble during the course of this study. The following questions guided this study: (1) How did the participants learn to become peer mentors? (2) How did the participants engage in the peer mentoring process during this stud...
This study analyses the relationships between Secondary school music trainee teachers and the mentor...
Mentoring first-year teachers has become a standard induction practice in most public school systems...
The purpose of this study was to observe and document peer-mentoring and its function in music class...
Through an exploration of peer mentoring in a university level jazz ensemble, I examined how three g...
The use of peer mentoring in a successful high school jazz band was explored during one academic yea...
The purpose of this investigation was to examine a single modern band to discover how an ensemble di...
Research and practice in mentoring preservice music teachers and music teachers during their inducti...
This study explored comentoring in a university jazz ensemble located in a metropolitan area in the...
Thesis (D.M.A.)--Boston UniversityIn this study I used ethnographic techniques to examine reciprocal...
The transition from doctoral student to higher education faculty member provides a unique set of cha...
This study investigated the motivating and engaging factors of jazz programs present in the learning...
Examination of the relationship of musicianship and educatorship of teacher and students as interact...
This qualitative study documents the importance of the mentor relationship in the training of musici...
In higher music education (HME), the notion of “private teaching, private learning” has a long tradi...
Music teachers often have life and educational experiences which lead them to identify with a specif...
This study analyses the relationships between Secondary school music trainee teachers and the mentor...
Mentoring first-year teachers has become a standard induction practice in most public school systems...
The purpose of this study was to observe and document peer-mentoring and its function in music class...
Through an exploration of peer mentoring in a university level jazz ensemble, I examined how three g...
The use of peer mentoring in a successful high school jazz band was explored during one academic yea...
The purpose of this investigation was to examine a single modern band to discover how an ensemble di...
Research and practice in mentoring preservice music teachers and music teachers during their inducti...
This study explored comentoring in a university jazz ensemble located in a metropolitan area in the...
Thesis (D.M.A.)--Boston UniversityIn this study I used ethnographic techniques to examine reciprocal...
The transition from doctoral student to higher education faculty member provides a unique set of cha...
This study investigated the motivating and engaging factors of jazz programs present in the learning...
Examination of the relationship of musicianship and educatorship of teacher and students as interact...
This qualitative study documents the importance of the mentor relationship in the training of musici...
In higher music education (HME), the notion of “private teaching, private learning” has a long tradi...
Music teachers often have life and educational experiences which lead them to identify with a specif...
This study analyses the relationships between Secondary school music trainee teachers and the mentor...
Mentoring first-year teachers has become a standard induction practice in most public school systems...
The purpose of this study was to observe and document peer-mentoring and its function in music class...