Musicians sway expressively as they play in ways that seem clearly related to the music, but quantifying the relationship has been difficult. We suggest that a complex systems framework and its accompanying tools for analyzing non-linear dynamical systems can help identify the motor synergies involved. Synergies are temporary assemblies of parts that come together to accomplish specific goals. We assume that the goal of the performer is to convey musical structure and expression to the audience and to other performers. We provide examples of how dynamical systems tools, such as recurrence quantification analysis (RQA), can be used to examine performers\u27 movements and relate them to the musical structure and to the musician\u27s expressiv...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...
Musicians sway expressively as they play in ways that seem clearly related to the music, but quantif...
Musicians sway expressively as they play in ways that seem clearly related to the music, but quantif...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Luc Nijs, University of Luxembourg, LuxembourgMelissa Bremmer, Amsterdam University of the Arts, The...
peer reviewedThe present contribution introduces a theoretical framework to explore music performanc...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Humans interact with other humans at a variety of timescales and in a variety of social contexts. We...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
Embodied music cognition stresses the role of the human body as mediator for the encoding and decodi...
Embodied music cognition stresses the role of the human body as mediator for the encoding and decodi...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...
Musicians sway expressively as they play in ways that seem clearly related to the music, but quantif...
Musicians sway expressively as they play in ways that seem clearly related to the music, but quantif...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Luc Nijs, University of Luxembourg, LuxembourgMelissa Bremmer, Amsterdam University of the Arts, The...
peer reviewedThe present contribution introduces a theoretical framework to explore music performanc...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Humans interact with other humans at a variety of timescales and in a variety of social contexts. We...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
Embodied music cognition stresses the role of the human body as mediator for the encoding and decodi...
Embodied music cognition stresses the role of the human body as mediator for the encoding and decodi...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...
Despite the idiosyncrasies present in bodily motion during musical performances, it is suggested tha...