Since its emergence in the 1980s, Actor-Network Theory has been adopted as a mode of enquiry across the social sciences, including cultural geography. Over time, two apparently separate strands have developed in the ANT literature: research that uses the tools of “early” network analysis; and “post” ANT forms of empirical philosophy. Rather than approach this division between “early” and “post” ANT as a binary choice to be made at the outset of research, I will argue that it is a settlement to be disrupted. Drawing on a study of the development of Genetically Modified Organisms in New Zealand, I will outline the trajectory of my research and consider how it evolved through a series of theoretical and empirical interactions. In doing so, I w...
The Countryside Surveys of 1990 and 2000 are introduced and their methodological or ontological diff...
The role, influence and importance of participants in education research could be enhanced by the ap...
Focusing primarily on the actor – human or nonhuman, individual or group, conscious or unconscious –...
Since its development in the late 1980s, Actor-Network Theory (ANT) has provided social scientists w...
This thesis provides a critical examination of the theoretical and methodological tools provided by ...
This study sheds light on the evolution of actor network theory and its influence on our society. AN...
This chapter traces the history of what has come to be known as Actor Network Theory (ANT). Beginni...
This thesis provides a critical examination of the theoretical and methodological tools provided by ...
Actor-network theory (ANT) is well developed within social studies of science and technology. The la...
Actor-network theory (ANT) is well developed within social studies of science and technology. The la...
Considerations of socio-technical change often make recourse to objective scientific knowledge and ...
This paper argues that Actor-Network Theory (ANT) contains concepts that can be used as tools to bet...
This companion explores ANT as an intellectual practice, tracking its movements and engagements with...
This article discusses the strengths and limitations of Actor-Network Theory (ANT) as a framework fo...
This chapter traces the history of Actor Network Theory (ANT) from its early days as a branch of Sci...
The Countryside Surveys of 1990 and 2000 are introduced and their methodological or ontological diff...
The role, influence and importance of participants in education research could be enhanced by the ap...
Focusing primarily on the actor – human or nonhuman, individual or group, conscious or unconscious –...
Since its development in the late 1980s, Actor-Network Theory (ANT) has provided social scientists w...
This thesis provides a critical examination of the theoretical and methodological tools provided by ...
This study sheds light on the evolution of actor network theory and its influence on our society. AN...
This chapter traces the history of what has come to be known as Actor Network Theory (ANT). Beginni...
This thesis provides a critical examination of the theoretical and methodological tools provided by ...
Actor-network theory (ANT) is well developed within social studies of science and technology. The la...
Actor-network theory (ANT) is well developed within social studies of science and technology. The la...
Considerations of socio-technical change often make recourse to objective scientific knowledge and ...
This paper argues that Actor-Network Theory (ANT) contains concepts that can be used as tools to bet...
This companion explores ANT as an intellectual practice, tracking its movements and engagements with...
This article discusses the strengths and limitations of Actor-Network Theory (ANT) as a framework fo...
This chapter traces the history of Actor Network Theory (ANT) from its early days as a branch of Sci...
The Countryside Surveys of 1990 and 2000 are introduced and their methodological or ontological diff...
The role, influence and importance of participants in education research could be enhanced by the ap...
Focusing primarily on the actor – human or nonhuman, individual or group, conscious or unconscious –...