In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the scene in Aeschylus' The Supplices. The aim is to provide material for studies that take into account the relationship between text, metrics, and performance in the interpretation of works of ancient Athenian dramaturgy.Neste artigo, apresento a escansão e uma análise preliminar da entrada do coro em cena na peça As Suplicantes de Ésquilo. O objetivo é providenciar material para estudos que levem em conta a relação entre texto, métrica e performance na interpretação de obras da dramaturgia ateniense antiga.Fil: Mota, Marcus. Universidade de Brasília
In the strophic choruses of 5th century BC drama, identical or similar forms of nouns, verbs, adject...
This paper explores the metric and prosodic notes of Servius’ Aeneid Commentary and focuses in parti...
Abstract: This paper examines two scenes of Aeschylus\u2019 Supplices (825-910 and 1019-73) where th...
In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the...
In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the...
This paper presents some possible usus of the metrical information from Athenian dramatic texts. Aft...
Nuestro objetivo es exponer un esquema compositivo de Suplicantes que logre aprehender su particular...
The lyrical section of the Aeschylus\u2019 Persae parodos (at ll. 65-139) is very expressive both in...
Propomos com esta Dissertação revisitar as obras de Homero tendo em vista aspectos de sua composição...
The work presents a metrical analysis of the first stasimon of Euripides’ Trojan Women. The prevaili...
El artículo analiza el coro de Suplicantes de Esquilo en el marco de los debates en torno al denomin...
The parodos of Sophocles’ Oedipus Coloneus shows extraordinary characteristics in lenght, structure,...
The aim of this paper is to analyze the colometry of the first stasimon of Aeschylus’ Choephoroi, as...
Aeschylus’ (525–456 B.C.) drama the Suppliant women (Greek Hikétides, Lat. Supplices) is all certain...
O objetivo deste trabalho é estudar os metros das Odes de Horácio segundo gramáticos, comentadores e...
In the strophic choruses of 5th century BC drama, identical or similar forms of nouns, verbs, adject...
This paper explores the metric and prosodic notes of Servius’ Aeneid Commentary and focuses in parti...
Abstract: This paper examines two scenes of Aeschylus\u2019 Supplices (825-910 and 1019-73) where th...
In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the...
In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the...
This paper presents some possible usus of the metrical information from Athenian dramatic texts. Aft...
Nuestro objetivo es exponer un esquema compositivo de Suplicantes que logre aprehender su particular...
The lyrical section of the Aeschylus\u2019 Persae parodos (at ll. 65-139) is very expressive both in...
Propomos com esta Dissertação revisitar as obras de Homero tendo em vista aspectos de sua composição...
The work presents a metrical analysis of the first stasimon of Euripides’ Trojan Women. The prevaili...
El artículo analiza el coro de Suplicantes de Esquilo en el marco de los debates en torno al denomin...
The parodos of Sophocles’ Oedipus Coloneus shows extraordinary characteristics in lenght, structure,...
The aim of this paper is to analyze the colometry of the first stasimon of Aeschylus’ Choephoroi, as...
Aeschylus’ (525–456 B.C.) drama the Suppliant women (Greek Hikétides, Lat. Supplices) is all certain...
O objetivo deste trabalho é estudar os metros das Odes de Horácio segundo gramáticos, comentadores e...
In the strophic choruses of 5th century BC drama, identical or similar forms of nouns, verbs, adject...
This paper explores the metric and prosodic notes of Servius’ Aeneid Commentary and focuses in parti...
Abstract: This paper examines two scenes of Aeschylus\u2019 Supplices (825-910 and 1019-73) where th...