Recycling a book's pages as waste paper was a literary commonplace in Antiquity and the early modern period, a way of imagining literary and physical mortality, but it was also a material practice. This article explores the material and the textual culture of the motif in sixteenth-century France, focusing on the printed page as material object. The underlying preoccupations of the motif – waste, copiousness, and materiality – offer ways of analysing the relationship between the material book and the immaterial text and how Renaissance writers conceived of the book and its recycling
This chapter considers medieval English books as objects embedded in European and global networks. F...
On manuscript as technology. An invited chapter for the volume, "Cambridge Critical Concepts in Lite...
In our time of increasing reliance on digital media the history of the book has a special role to pl...
This article explores the valences of monastic wastepaper and binding waste in post-Reformation Engl...
This article argues that in the fifteenth century, many manuscripts were physically recycled, and th...
This thesis examines the sustainability of fifteenth-century manuscripts. It analyses the durability...
This article takes issue with the concept of the ‘writing surface’. It responds to Margreta de Grazi...
The University of St. Andrews Library Open Access Fund supported this Open Access publication. The L...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and aft...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
This volume emerged from the 2013 conference ‘Resurrecting the Book’, which the researcher conceived...
"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and af...
This book is, in many ways, much more than the sum of its parts. It is divided into three sections t...
This chapter considers medieval English books as objects embedded in European and global networks. F...
On manuscript as technology. An invited chapter for the volume, "Cambridge Critical Concepts in Lite...
In our time of increasing reliance on digital media the history of the book has a special role to pl...
This article explores the valences of monastic wastepaper and binding waste in post-Reformation Engl...
This article argues that in the fifteenth century, many manuscripts were physically recycled, and th...
This thesis examines the sustainability of fifteenth-century manuscripts. It analyses the durability...
This article takes issue with the concept of the ‘writing surface’. It responds to Margreta de Grazi...
The University of St. Andrews Library Open Access Fund supported this Open Access publication. The L...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and aft...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illumi...
This volume emerged from the 2013 conference ‘Resurrecting the Book’, which the researcher conceived...
"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and af...
This book is, in many ways, much more than the sum of its parts. It is divided into three sections t...
This chapter considers medieval English books as objects embedded in European and global networks. F...
On manuscript as technology. An invited chapter for the volume, "Cambridge Critical Concepts in Lite...
In our time of increasing reliance on digital media the history of the book has a special role to pl...