Skin lightening cuts across multiple and intersecting areas of interest to sociologists. These include consumerism, capital, the body, femininities, masculinities, the power of the media in shaping people’s imaginations, constructions of beauty, and racialised and gendered social relations and representations, with the legacies of colonial pasts playing out in the present. Here, we set out some key themes, patterns, and frames observed in the multidisciplinary work published on skin lightening, and advocate for the addition of other frames for strategic reasons, which we argue in the second half of the article. Foucault’s technologies of self is recommended as a platform for critiquing individualism and the framing of choice; a political ec...
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
How does the beauty industry ‘narrate the skin’? What does it teach women from different...
This research investigates the practice of tattooing as a material, affective and superficial techno...
With the breakdown of traditional racial boundaries in many areas of the world, the widespread and g...
Skin-lightening is an aesthetic practice of global concern. By adopting a biopsycho-social approach,...
This thesis concerns the ways in which the importance of practicing skin whitening is promoted and r...
This thesis interrogates the history of British racism and skin tone through the lens of skin modifi...
Dark skin on Black women’s bodies has become a Black Atlantic diasporic (post) colonial artefact cir...
From light-skinned deities depicted in ancient religious tableaux, pearl-swallowing practices in Chi...
Aesthetic modification of objects through design activity is akin to molting; as the skin ages, it i...
The merging of new technologies with old colonial ideologies has created a context where consumers c...
For almost half a century, Continental African women have been using chemical products with strong d...
The way we modify and view hair culturally has important resonances, not only for the construction o...
Based on a series of focus group discussions in which 109 European American, African American and Pu...
This thesis is concerned with the diverse ways in which plastic surgeons, surgical corsetieres and t...
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
How does the beauty industry ‘narrate the skin’? What does it teach women from different...
This research investigates the practice of tattooing as a material, affective and superficial techno...
With the breakdown of traditional racial boundaries in many areas of the world, the widespread and g...
Skin-lightening is an aesthetic practice of global concern. By adopting a biopsycho-social approach,...
This thesis concerns the ways in which the importance of practicing skin whitening is promoted and r...
This thesis interrogates the history of British racism and skin tone through the lens of skin modifi...
Dark skin on Black women’s bodies has become a Black Atlantic diasporic (post) colonial artefact cir...
From light-skinned deities depicted in ancient religious tableaux, pearl-swallowing practices in Chi...
Aesthetic modification of objects through design activity is akin to molting; as the skin ages, it i...
The merging of new technologies with old colonial ideologies has created a context where consumers c...
For almost half a century, Continental African women have been using chemical products with strong d...
The way we modify and view hair culturally has important resonances, not only for the construction o...
Based on a series of focus group discussions in which 109 European American, African American and Pu...
This thesis is concerned with the diverse ways in which plastic surgeons, surgical corsetieres and t...
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
How does the beauty industry ‘narrate the skin’? What does it teach women from different...
This research investigates the practice of tattooing as a material, affective and superficial techno...