Add to ORKGThis paper is an ethnographic and interview-based study of popular music museums in the United States. I observed that curatorial practices in pop music museums aligned with two major goals -- education and entertainment. These curatorial practices worked within the goals of the social field of museums as well as responded to the legacy of cultural hierarchy. I ultimately find that popular music museums are sites for legitimizing Americans\u27 memories of and taste for popular music, rather than merely sites of music history education or entertainment
This talk, delivered at the CAML Conference in Ottawa on June 4, 2015, examines a number of reasons ...
‘Remembering Popular Music’s Past’ capitalises on the growing interest, globally, in the preservatio...
Where music and musicians have travelled, tourists often travel too, visiting the various traces lef...
The literature on the popular music museum has primarily focused on the study of heritage and cultur...
This study explores the attitudes and approaches of three different popular music archivists to acqu...
UID/EAT/00472/2013In recent years, there have been several social and cultural developments that hav...
A joint senior project submitted to the divisions of arts and social studies. This project aims to r...
During the last few decades, an increasing number of popular music-themed museums, both big-budget a...
When Media Becomes Form investigates the arresting experiment of the popular music museum project as...
__Abstract __ Ever since the late 1950s, people have grown up with popular music as an important...
Popular music scholars have long been interested in the connection between place and music. This col...
Co-curation has become a popular term in recent years. This article is concerned with the process, p...
This study utilizes a museum lens to examine general music textbooks as a musical museum. Through ...
UID/EAT/00472/2013Popular music is deeply embedded in the dynamics of the contemporary world bymeans...
The study of popular music museums has expanded greatly in the past decade or so. The numerous studi...
This talk, delivered at the CAML Conference in Ottawa on June 4, 2015, examines a number of reasons ...
‘Remembering Popular Music’s Past’ capitalises on the growing interest, globally, in the preservatio...
Where music and musicians have travelled, tourists often travel too, visiting the various traces lef...
The literature on the popular music museum has primarily focused on the study of heritage and cultur...
This study explores the attitudes and approaches of three different popular music archivists to acqu...
UID/EAT/00472/2013In recent years, there have been several social and cultural developments that hav...
A joint senior project submitted to the divisions of arts and social studies. This project aims to r...
During the last few decades, an increasing number of popular music-themed museums, both big-budget a...
When Media Becomes Form investigates the arresting experiment of the popular music museum project as...
__Abstract __ Ever since the late 1950s, people have grown up with popular music as an important...
Popular music scholars have long been interested in the connection between place and music. This col...
Co-curation has become a popular term in recent years. This article is concerned with the process, p...
This study utilizes a museum lens to examine general music textbooks as a musical museum. Through ...
UID/EAT/00472/2013Popular music is deeply embedded in the dynamics of the contemporary world bymeans...
The study of popular music museums has expanded greatly in the past decade or so. The numerous studi...
This talk, delivered at the CAML Conference in Ottawa on June 4, 2015, examines a number of reasons ...
‘Remembering Popular Music’s Past’ capitalises on the growing interest, globally, in the preservatio...
Where music and musicians have travelled, tourists often travel too, visiting the various traces lef...