This paper introduces our collective work “Patterns in Between Intelligences”, a performance piece that builds an artistic practice between live coding sounds and coding through dance, mediated and shaped through e-textile sensors. This creates a networked system of which both live coded processes and human bodies are part. The paper describes in detail the implementations of technology used in the prototype performance performed at No Bounds Festival in Sheffield UK, October 2022, as well as discussions and concerns the team had related to the use of AI technology on stage. The paper concludes with a narrative reflection on the Sheffield performance, and reflections on it
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This paper sets live coding in the wider context of performing arts, construed as the poetic modelli...
‘This Is Where We Are’ (TIWWA) was an immersive and interactive algorithmic sculpture fuelled by the...
This paper introduces our collective work “Patterns in Between Intelligences”, a performance piece t...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
Live coding is “the activity of writing (parts of) a program while it runs” (Ward et al., 2004). One...
Live coding is “the activity of writing (parts of) a program while it runs”. One significant applica...
By unpacking push and pull between humans and machines over 5 days in a studio environment that shap...
This paper will reflect on several practice-based investigations that examined the transformational ...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
Live performers often describe "playing to the audience"as shifts in emphasis, timing and even conte...
International audienceThis article presents a five-year collaboration situated at the intersection o...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
Artificial intelligence technologies and data structures required for training have become more acce...
UID/EAT/00693/2019 PTDC/ART-PER/31263/2017 CEECIND/02302/2017Embodying Sound is a performing art pro...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This paper sets live coding in the wider context of performing arts, construed as the poetic modelli...
‘This Is Where We Are’ (TIWWA) was an immersive and interactive algorithmic sculpture fuelled by the...
This paper introduces our collective work “Patterns in Between Intelligences”, a performance piece t...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
Live coding is “the activity of writing (parts of) a program while it runs” (Ward et al., 2004). One...
Live coding is “the activity of writing (parts of) a program while it runs”. One significant applica...
By unpacking push and pull between humans and machines over 5 days in a studio environment that shap...
This paper will reflect on several practice-based investigations that examined the transformational ...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
Live performers often describe "playing to the audience"as shifts in emphasis, timing and even conte...
International audienceThis article presents a five-year collaboration situated at the intersection o...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
Artificial intelligence technologies and data structures required for training have become more acce...
UID/EAT/00693/2019 PTDC/ART-PER/31263/2017 CEECIND/02302/2017Embodying Sound is a performing art pro...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This paper sets live coding in the wider context of performing arts, construed as the poetic modelli...
‘This Is Where We Are’ (TIWWA) was an immersive and interactive algorithmic sculpture fuelled by the...