The post-Partition cinema produced between 1956 and 1969-the long '60s-in Lahore, Pakistan, drew promiscuously from Hindu mythology, Bengali performance traditions, Islamicate legends, Sufi conceptions of the self, Punjabi and Sindhi oral narratives, Parsi theater, Urdu lyric poetry, historical and social realism, Hollywood musicals, the psychological and sensorial stimulus of modernity, and more. Consideration of this rich field of influence offers insights into not only the decade that led to the overthrow of the Ayub Khan government, followed in 1971 by the loss of Bangladesh, but also into cultural affiliation in the fraught South Asian present, when frameworks of multiplicity and plurality are in jeopardy. Urdu-language films from Laho...
This article examines multilingual commercial films by Pakistani women screenwriters, directors, and...
The partition of India in August 1947 marks a watershed in the modern Indian history. The creation o...
International audienceUmar Marvi, the first Sindhi feature film made in Pakistan, was released in 19...
Commercial cinema has been among the most powerful vectors of social and aesthetic modernization in ...
Among the scholars of South Asia, the partition of India and Pakistan has always been a compelling s...
A collection of essays on Pakistani Cinema, edited by the organisers of the Harvard-Brown Pakistani ...
This thesis analyses the continued relevance and representation of India’s Partition in contemporary...
The present paper examines how the Bombay-based Hindi film cinema culturally obliges to respond to t...
Pakistan and India had been the rival nations after the partition of Sub-continent in 1947. Both cou...
The study discusses the evolution of Pakistani cinema as a gendered medium to analyse the changes in...
By the 1960s, Hindi-language films from Bombay were in high demand, not only for domestic and diaspo...
In the last twenty years, India\u27s neoliberal policies have transformed the relationship between c...
This paper looks at the question of partition of British India in 1947 and the rise of religious ext...
India is the largest film producing country in the world and its output has a global reach. After ye...
Theatre is one of the oldest traditions of South Asia, and Urdu theatre had become the main stream c...
This article examines multilingual commercial films by Pakistani women screenwriters, directors, and...
The partition of India in August 1947 marks a watershed in the modern Indian history. The creation o...
International audienceUmar Marvi, the first Sindhi feature film made in Pakistan, was released in 19...
Commercial cinema has been among the most powerful vectors of social and aesthetic modernization in ...
Among the scholars of South Asia, the partition of India and Pakistan has always been a compelling s...
A collection of essays on Pakistani Cinema, edited by the organisers of the Harvard-Brown Pakistani ...
This thesis analyses the continued relevance and representation of India’s Partition in contemporary...
The present paper examines how the Bombay-based Hindi film cinema culturally obliges to respond to t...
Pakistan and India had been the rival nations after the partition of Sub-continent in 1947. Both cou...
The study discusses the evolution of Pakistani cinema as a gendered medium to analyse the changes in...
By the 1960s, Hindi-language films from Bombay were in high demand, not only for domestic and diaspo...
In the last twenty years, India\u27s neoliberal policies have transformed the relationship between c...
This paper looks at the question of partition of British India in 1947 and the rise of religious ext...
India is the largest film producing country in the world and its output has a global reach. After ye...
Theatre is one of the oldest traditions of South Asia, and Urdu theatre had become the main stream c...
This article examines multilingual commercial films by Pakistani women screenwriters, directors, and...
The partition of India in August 1947 marks a watershed in the modern Indian history. The creation o...
International audienceUmar Marvi, the first Sindhi feature film made in Pakistan, was released in 19...