Workaround was a solo exhibition by Glasgow-based artist Charlie Hammond featuring new works alongside paintings from across the past 15 years. In his practice, Hammond often considers the ways in which art might be understood in relation to work (as in labour) and not working (as in play, but also dysfunction or breakdown). He uses readily available materials—sometimes even pieces of his own existing works—as a set of resources with which to inventively assemble paintings that embody these interests. Often working in series, Hammond borrows motifs from everyday life: roadways, hi-vis vests, office furniture, j-cloths, washing-up gloves and mugs of tea provide him with a workaday visual repertoire to compose with across multiple painti...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
Solo exhibition WE WORK TOGETHER by the British artist Daniel Sturgis. The exhibition presents a...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
110% comprises of sculpture, wall drawing, and trompe l'oeil drawings that refer to the slipperiness...
The research paper entitled Problems in Practice examines my development as an artist through educat...
An exhibition featuring 34 international and UK artists who express their creativity beyond the boun...
This project emerged from my interest in the materiality of painting. Initial research identified ar...
"Working Conditions brings together the work of artists questioning where they stand and what they s...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
The Performativity of Painting, a choreographed meeting. 'Painting – the performance of structures, ...
Always doing something, with somebody, somewhere featured a range of artworks, a collage (as curator...
Curation of exhibition at the Herbert Read Gallery, UCA Canterbury.\ud \ud Inefficiency can be under...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
Solo exhibition WE WORK TOGETHER by the British artist Daniel Sturgis. The exhibition presents a...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
110% comprises of sculpture, wall drawing, and trompe l'oeil drawings that refer to the slipperiness...
The research paper entitled Problems in Practice examines my development as an artist through educat...
An exhibition featuring 34 international and UK artists who express their creativity beyond the boun...
This project emerged from my interest in the materiality of painting. Initial research identified ar...
"Working Conditions brings together the work of artists questioning where they stand and what they s...
thesisMaster of ArtsArt/Art HistoryExhibiting work has to do with communication. Like the Berkeley ...
The Performativity of Painting, a choreographed meeting. 'Painting – the performance of structures, ...
Always doing something, with somebody, somewhere featured a range of artworks, a collage (as curator...
Curation of exhibition at the Herbert Read Gallery, UCA Canterbury.\ud \ud Inefficiency can be under...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...