The tradition of men dancing in place of women (launda naach) has a chequered history in India. The dancers mostly come from poor families with a disproportionate number from West Bengal. They face significant violence, both at home and in their profession, for so much of identity in India is centred round the family and appropriate roles within the family. Launda naach offers a certain freedom as well as a measure of economic Independence. But it remains a narrow and limited space
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have ...
Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Ind...
This dissertation undertakes a historical and theoretical analysis of constructions of gender and se...
The social status of male dancers in South Asia has been well-furrowed as a field of scholarly inves...
Na_chni na_ch, a dance form of West Bengal, is going through a difficult time in its 500-year histor...
India holds a unique place in the dance world, with its array of different dance techniques. Each te...
This thesis examines the ban on bar dancing in Mumbai and Maharashtra as an outcome of politics of g...
Four genres of Indo-Trinidadian dance—folk, film, chutney and classical—have opened spaces in which ...
This paper examines the complex identities held by devadasis and the social and political circumstan...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
This thesis investigates the representation of female emancipation through the complex interaction b...
This piece is a modernized Garba-Raas, a folk dance originating in Gujarat, India. Garba is traditio...
The informal, and occasionally formal, institution of the dancing boy--the term used by most Western...
India offers a number of classical dance forms that take their themes from India\u27s rich mythology...
"Performing Indian Dance" is an interdisciplinary project that reveals the dynamics of ethnicity, ge...
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have ...
Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Ind...
This dissertation undertakes a historical and theoretical analysis of constructions of gender and se...
The social status of male dancers in South Asia has been well-furrowed as a field of scholarly inves...
Na_chni na_ch, a dance form of West Bengal, is going through a difficult time in its 500-year histor...
India holds a unique place in the dance world, with its array of different dance techniques. Each te...
This thesis examines the ban on bar dancing in Mumbai and Maharashtra as an outcome of politics of g...
Four genres of Indo-Trinidadian dance—folk, film, chutney and classical—have opened spaces in which ...
This paper examines the complex identities held by devadasis and the social and political circumstan...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
This thesis investigates the representation of female emancipation through the complex interaction b...
This piece is a modernized Garba-Raas, a folk dance originating in Gujarat, India. Garba is traditio...
The informal, and occasionally formal, institution of the dancing boy--the term used by most Western...
India offers a number of classical dance forms that take their themes from India\u27s rich mythology...
"Performing Indian Dance" is an interdisciplinary project that reveals the dynamics of ethnicity, ge...
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have ...
Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Ind...
This dissertation undertakes a historical and theoretical analysis of constructions of gender and se...