How do we share embodied knowledge? How do we understand the world through our bodies? How can we effectively interpret and communicate somatic experiences to a wider audience? These questions emerged during a collaborative research project Let's Improv It (August 2016, Plymouth University), which set out to explore how kinaesthetic empathy and multisensory perception help us to understand our own actions, intentions and emotions, as well as those of others. We additionally questioned the role and perception of physical and emotional touch within embodied knowledge. After a five-day practice-led investigation, a 20-minute improvised somatic movement score was developed with the aim of providing a novel experience of touch and movement. The ...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
This practice-based interdisciplinary thesis unpacks 'kinaesthetic empathy' as an intersubjective ph...
International audienceDesigning for kinaesthetic awareness, the perception of our body's position an...
How do we share embodied knowledge? How do we understand the world through our bodies? How can we ef...
How do we share embodied knowledge? How do we understand the world through our bodies? How can we ef...
How do we share embodied knowledge and what are effective ways to introduce somatic experiences to n...
This essay reveals the tacit ways of knowing inherent in somatically based dance improvisation pract...
This study illustrates the value of embodied subtleties in the process of collaborative creativity. ...
Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a pa...
The collaborative projects described in this e-book have already produced thrilling new danceworks, ...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
Contact Improvisation (CI) has grown into perhaps the most influential form of contemporary dance im...
This research is concerned with the use of wearable technology in the process of improvising and how...
PhDEmpathy is thought to involve cognitive processes that depend on the simulation of another's exp...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
This practice-based interdisciplinary thesis unpacks 'kinaesthetic empathy' as an intersubjective ph...
International audienceDesigning for kinaesthetic awareness, the perception of our body's position an...
How do we share embodied knowledge? How do we understand the world through our bodies? How can we ef...
How do we share embodied knowledge? How do we understand the world through our bodies? How can we ef...
How do we share embodied knowledge and what are effective ways to introduce somatic experiences to n...
This essay reveals the tacit ways of knowing inherent in somatically based dance improvisation pract...
This study illustrates the value of embodied subtleties in the process of collaborative creativity. ...
Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a pa...
The collaborative projects described in this e-book have already produced thrilling new danceworks, ...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
Contact Improvisation (CI) has grown into perhaps the most influential form of contemporary dance im...
This research is concerned with the use of wearable technology in the process of improvising and how...
PhDEmpathy is thought to involve cognitive processes that depend on the simulation of another's exp...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
This practice-based interdisciplinary thesis unpacks 'kinaesthetic empathy' as an intersubjective ph...
International audienceDesigning for kinaesthetic awareness, the perception of our body's position an...