This paper provides a discussion of how the electronic, solely ITbased composition and performance of electronic music can besupported in realtime with a collaborative application on a tabletopinterface, mediating between single-user style music compositiontools and co-located collaborative music improvisation. After having elaborated on the theoretical backgrounds of prerequisites ofco-located collaborative tabletop applications as well as the common paradigms in music composition/notation, we will review related work on novel IT approaches to music composition and improvisation. Subsequently, we will present our prototypical implementation and the results
This paper attempts to analyze and describe a number of composition techniques used for interactive ...
The configurability and networking abilities of digital musical instruments increases the possibilit...
As a composer and performer of improvised music, I find my interest drawn to the relationships forme...
This paper describes recent extensions to LOLC, a text-based environment for collaborative improvisa...
This paper describes several compositions of live, interactive electronics where mutual liste...
This paper describes a web application being developed for the purpose of collaborative live composi...
With the advent of tabletop interaction, collaborative activities are better supported than they are...
This article discusses the balance between composition and improvisation with respect to interactive...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
This paper describes development of an online system for collaborative electro-acoustic music compos...
This paper presents an experimentation of an interactive per-formance system that enables audience p...
This position paper considers music as a platform to explore tangible interaction for collaborative ...
A range of systems exist for collaborative music making on multi-touch surfaces. Some of them have b...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
Since percussion and electronic music share common aesthetic interests, it is not surprising that pe...
This paper attempts to analyze and describe a number of composition techniques used for interactive ...
The configurability and networking abilities of digital musical instruments increases the possibilit...
As a composer and performer of improvised music, I find my interest drawn to the relationships forme...
This paper describes recent extensions to LOLC, a text-based environment for collaborative improvisa...
This paper describes several compositions of live, interactive electronics where mutual liste...
This paper describes a web application being developed for the purpose of collaborative live composi...
With the advent of tabletop interaction, collaborative activities are better supported than they are...
This article discusses the balance between composition and improvisation with respect to interactive...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
This paper describes development of an online system for collaborative electro-acoustic music compos...
This paper presents an experimentation of an interactive per-formance system that enables audience p...
This position paper considers music as a platform to explore tangible interaction for collaborative ...
A range of systems exist for collaborative music making on multi-touch surfaces. Some of them have b...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
Since percussion and electronic music share common aesthetic interests, it is not surprising that pe...
This paper attempts to analyze and describe a number of composition techniques used for interactive ...
The configurability and networking abilities of digital musical instruments increases the possibilit...
As a composer and performer of improvised music, I find my interest drawn to the relationships forme...