https://aimc2023.pubpub.org/pub/vnkwhmgn This submission proposes a musical performance that combines the improvisational skills of a live coder with an autonomous music creation system, developed and implemented using Haskell and the TidalCycles language. The system uses machine learning algorithms to generate its own unique musical phrases and patterns that respond to the live coding input. The performance will showcase the collaborative possibilities of this technology, demonstrating how it can facilitate a real-time dialogue between human and machine intelligence. The proposed performance will consist of an evolving musical improvisation, that explores the interaction between the live coder and the autonomous system. A discussion of th...
In this paper, we present the piece and the underlying software system of "The Cargo Cult" by Damian...
We aim for composing algorithmic music in an in-teractive way with multiple participants. To this en...
Live coding is the creative act of interactive code evaluations and multimodal assessments during th...
In this paper we describe the implementation of an autonomous agent for live coding—the practice of ...
The MIMIC (Musically Intelligent Machines Interacting Creatively) project explores how the technique...
Co-creation strategies for human-machine collaboration have been explored in various creative discip...
https://aimc2023.pubpub.org/pub/dk76kh2j Music-making with live coding is a challenging endeavour d...
Live coding is “the activity of writing (parts of) a program while it runs” (Ward et al., 2004). One...
Live coding of music has grown into a vibrant international community of research and practice over ...
Computer language for the description of pattern has been employed for both analysis and composition...
Live coding is “the activity of writing (parts of) a program while it runs”. One significant applica...
https://aimc2023.pubpub.org/pub/kba1r63j This paper explores a form of live performance where human...
The use of crowdsourced sounds in live coding can be seen as an example of asynchronous collaboratio...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This thesis is centered on the performance practice of musical live coding, which can be described a...
In this paper, we present the piece and the underlying software system of "The Cargo Cult" by Damian...
We aim for composing algorithmic music in an in-teractive way with multiple participants. To this en...
Live coding is the creative act of interactive code evaluations and multimodal assessments during th...
In this paper we describe the implementation of an autonomous agent for live coding—the practice of ...
The MIMIC (Musically Intelligent Machines Interacting Creatively) project explores how the technique...
Co-creation strategies for human-machine collaboration have been explored in various creative discip...
https://aimc2023.pubpub.org/pub/dk76kh2j Music-making with live coding is a challenging endeavour d...
Live coding is “the activity of writing (parts of) a program while it runs” (Ward et al., 2004). One...
Live coding of music has grown into a vibrant international community of research and practice over ...
Computer language for the description of pattern has been employed for both analysis and composition...
Live coding is “the activity of writing (parts of) a program while it runs”. One significant applica...
https://aimc2023.pubpub.org/pub/kba1r63j This paper explores a form of live performance where human...
The use of crowdsourced sounds in live coding can be seen as an example of asynchronous collaboratio...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This thesis is centered on the performance practice of musical live coding, which can be described a...
In this paper, we present the piece and the underlying software system of "The Cargo Cult" by Damian...
We aim for composing algorithmic music in an in-teractive way with multiple participants. To this en...
Live coding is the creative act of interactive code evaluations and multimodal assessments during th...