The documentation and monitoring of cleaning operations on paintings benefit from the identification and determination of thickness of the materials to be selectively removed. Since in artworks diagnosis the preservation of the object's integrity is a priority, the application of non-invasive techniques is commonly preferred. In this work, we present the results obtained with a set of non-invasive optical techniques for the chemical and physical characterization of six copper-phthalocyanine (Cu-Pc) acrylic paints. Cu-Pc pigments have been extensively used by artists over the past century, thanks to their properties and low cost of manufacture. They can also be found in historical paintings in the form of overpaints/retouchings, providing ev...
The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary p...
9 pags., 6 figs., 2 tabs.Nonlinear optical microscopies (NLOM) are emerging techniques for the monit...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
The documentation and monitoring of cleaning operations on paintings benefit from the identification...
Conference on Lasers in the Conservation of Artworks, LACONA XII, Lacona XII – 10-14 September 2018 ...
Since the end of the 20th century, the α-, β- and ε-copper phthalocyanine (CuPc) blue pigments are w...
Contemporary art is particularly delicate as the synthetic materials used for their realization are ...
The phthalocyanine family, and more specifically the copper phthalocyanines (CuPcs) are the most imp...
Summarization: Wall paintings spanning two millennia of Cretan painting history and technology were ...
3rd. USTS 2019 Meeting, Madrid, November 6th to 8th, 2019Nonlinear optical microscopies (NLOM) are e...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
Nonlinear optical imaging techniques (NLO imaging), i.e. multiphoton excitation fluorescence (MPEF),...
The conservation of contemporary art often offers unique occasions to study complex multi-material a...
TechnoHeritage 2019, Seville, March 26-30, 2019Non-invasive, high resolution 3D analysis techniques ...
A holistic approach using non-invasive multimodal imaging and spectroscopic techniques to study the ...
The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary p...
9 pags., 6 figs., 2 tabs.Nonlinear optical microscopies (NLOM) are emerging techniques for the monit...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
The documentation and monitoring of cleaning operations on paintings benefit from the identification...
Conference on Lasers in the Conservation of Artworks, LACONA XII, Lacona XII – 10-14 September 2018 ...
Since the end of the 20th century, the α-, β- and ε-copper phthalocyanine (CuPc) blue pigments are w...
Contemporary art is particularly delicate as the synthetic materials used for their realization are ...
The phthalocyanine family, and more specifically the copper phthalocyanines (CuPcs) are the most imp...
Summarization: Wall paintings spanning two millennia of Cretan painting history and technology were ...
3rd. USTS 2019 Meeting, Madrid, November 6th to 8th, 2019Nonlinear optical microscopies (NLOM) are e...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
Nonlinear optical imaging techniques (NLO imaging), i.e. multiphoton excitation fluorescence (MPEF),...
The conservation of contemporary art often offers unique occasions to study complex multi-material a...
TechnoHeritage 2019, Seville, March 26-30, 2019Non-invasive, high resolution 3D analysis techniques ...
A holistic approach using non-invasive multimodal imaging and spectroscopic techniques to study the ...
The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary p...
9 pags., 6 figs., 2 tabs.Nonlinear optical microscopies (NLOM) are emerging techniques for the monit...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...