Recent technological advances in the distribution of audiovisual content have opened up many opportunities for media archives to fulfil their outward-facing ambitions and easily reach large audiences with their content. This paper reports on the initial results of the ReTV research project that aims to develop novel approaches for the reuse of audiovisual collections. It addresses the reuse of archival collections from three perspectives: content holders (broadcasters and media archives) who want to adapt audiovisual content for distribution on social media, end-users who have switched from linear television to online platforms to consume audiovisual content and creatives in the media industry who seek audiovisual content that could be used...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
Media professionals – such as news editors, image researchers, and documentary filmmakers - increasi...
Safeguarding the massive body of audiovisual content, including rich music collections, in audiovisu...
Documentary makers, journalists, news editors, and other media professionals routinely require previ...
Documentary makers, journalists, news editors, and other media professionals routinely require previ...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
Purpose To provide a first understanding on the constraints historical video collections pose to...
Audiovisual archives are the mnemonic archives of the 21st century, with widespread platforms of vid...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
Purpose – This paper aims to provide an initial understanding of the constraints that historical vid...
Content-based video retrieval is maturing to the point where it can be used in real-world retrieval ...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
Huge amounts of audiovisual material have been digitized recently, resulting in a great source of in...
The first chapter of this status report gives an overview of technological developments that influen...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
Media professionals – such as news editors, image researchers, and documentary filmmakers - increasi...
Safeguarding the massive body of audiovisual content, including rich music collections, in audiovisu...
Documentary makers, journalists, news editors, and other media professionals routinely require previ...
Documentary makers, journalists, news editors, and other media professionals routinely require previ...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
Purpose To provide a first understanding on the constraints historical video collections pose to...
Audiovisual archives are the mnemonic archives of the 21st century, with widespread platforms of vid...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
Purpose – This paper aims to provide an initial understanding of the constraints that historical vid...
Content-based video retrieval is maturing to the point where it can be used in real-world retrieval ...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
Huge amounts of audiovisual material have been digitized recently, resulting in a great source of in...
The first chapter of this status report gives an overview of technological developments that influen...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
Media professionals – such as news editors, image researchers, and documentary filmmakers - increasi...
Safeguarding the massive body of audiovisual content, including rich music collections, in audiovisu...