This paper reviews and extends questions of the scope of an interactive musical instrument and mapping strategies for expressive performance. We apply notions of embodiment and affordance to characterize gestural instruments. We note that the democratization of sensor technology in consumer devices has extended the cultural contexts for interaction. We revisit questions of mapping drawing upon the theory of affordances to consider mapping and instrument together. This is applied to recent work by the , , author and his collaborators in the development of instruments based on mobile devices designed for specific performance situations
There is growing integration of digital technologies to the physical domain. In this process digital...
This paper discusses the use of choreography in mapping sound to movement in the field of new instru...
This paper describes the theoretical underpinnings, design, and development of a hyper--instrumental...
The question motivating the work presented here, starting from a view of music as embodied and situa...
While the concept of affordances has been applied in music research, it has not been satisfyingly de...
This paper is a comparative study of gestural interaction with musical sound, designed to gain insig...
We present a study that explores the affordance evoked by sound andsound-gesture mappings. In order ...
This work describes a new approach to gesture mapping in a performance with a traditional musical in...
This paper explores the role of materiality in Digital Musical Instruments and questions the influen...
cote interne IRCAM: Caramiaux14cNone / NoneNational audienceGesture-to-sound mapping is generally de...
This paper investigates the process of appropriation in digital musical instrument performance, exam...
The paper examines the sonic experiences of the listener in digital environments by using a Bluetoot...
This article will explore practical and aesthetic questions concerning spatial music performance by ...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Music...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
There is growing integration of digital technologies to the physical domain. In this process digital...
This paper discusses the use of choreography in mapping sound to movement in the field of new instru...
This paper describes the theoretical underpinnings, design, and development of a hyper--instrumental...
The question motivating the work presented here, starting from a view of music as embodied and situa...
While the concept of affordances has been applied in music research, it has not been satisfyingly de...
This paper is a comparative study of gestural interaction with musical sound, designed to gain insig...
We present a study that explores the affordance evoked by sound andsound-gesture mappings. In order ...
This work describes a new approach to gesture mapping in a performance with a traditional musical in...
This paper explores the role of materiality in Digital Musical Instruments and questions the influen...
cote interne IRCAM: Caramiaux14cNone / NoneNational audienceGesture-to-sound mapping is generally de...
This paper investigates the process of appropriation in digital musical instrument performance, exam...
The paper examines the sonic experiences of the listener in digital environments by using a Bluetoot...
This article will explore practical and aesthetic questions concerning spatial music performance by ...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Music...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
There is growing integration of digital technologies to the physical domain. In this process digital...
This paper discusses the use of choreography in mapping sound to movement in the field of new instru...
This paper describes the theoretical underpinnings, design, and development of a hyper--instrumental...