Like every art form, electronic music allows us to gain insight into multiple phenomena. This text is devoted to the specific epistemic potential of live electronic music and its foundations. The particular genealogy and functionalities of its instruments, its ability to expose phenomena to our senses «here and now», its predisposition towards openness, the unexpected and the singular, its many forms of representation and its fundamental relation to research are only some of them. Based on our own research on performance practice during the last ten years at ICST and inspired by discourses in current art philosophy, the lecture aims to promote an understanding of modern electronic music as an artistic practice located between expression and...
Questions such as Is electronic music the sound of the future? or Does electronic music still have i...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
This submission focuses on the devices that make a music electronic and their authors. From David Tu...
Notions of Virtuosity in Electronic Music? This paper will utilise a reflexive methodology to re...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
While musicians have been performing with electronics for nearly a century, there still exists very ...
Edited and expanded transcription of a talk with music examples of the author's live electronic comp...
This paper explores the differences in the design and performance of acoustic and new digital musica...
The Vienna based record label Mego is known for establishing an uncompromising, radically experiment...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Live music has the ability to unite individuals and affect them on both cognitive and emotional leve...
Background Music is a temporal and sounding art. It is characterised most typically by its articulat...
The dissertation delineates several notions and conceptual tools of fundamental importance in our co...
Questions such as Is electronic music the sound of the future? or Does electronic music still have i...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
This submission focuses on the devices that make a music electronic and their authors. From David Tu...
Notions of Virtuosity in Electronic Music? This paper will utilise a reflexive methodology to re...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
While musicians have been performing with electronics for nearly a century, there still exists very ...
Edited and expanded transcription of a talk with music examples of the author's live electronic comp...
This paper explores the differences in the design and performance of acoustic and new digital musica...
The Vienna based record label Mego is known for establishing an uncompromising, radically experiment...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by ...
Live music has the ability to unite individuals and affect them on both cognitive and emotional leve...
Background Music is a temporal and sounding art. It is characterised most typically by its articulat...
The dissertation delineates several notions and conceptual tools of fundamental importance in our co...
Questions such as Is electronic music the sound of the future? or Does electronic music still have i...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
This submission focuses on the devices that make a music electronic and their authors. From David Tu...