Africa is rather less traditionally associated with classical culture. Despite the weaker connection between the classical past and Africa, myth is far from non-existent, and Daniel A. Nkemleke and Divine Che Neba make a plea for the use classical mythology as a tool within the African classroom. Arguing that the tussle between world mythologies has pushed writers, particularly within the African continent, to come to terms with what pertains to them, what they have borrowed, what they offer to the world, and what they share with others, they explain that African scholars may use classical mythology as templates for their own writings, or as a means of celebrating their individual cultures. Demonstrating this, they provide an analysis of a ...
Clearly, wherever myth forms part of an educational syllabus, value judgements have been made by tho...
This essay analyses Ayi Kwei Armah’s novels from the perspective of contemporary myth-making process...
Elizabeth Hale and Anna Foka’s focus is on Australia, where they demonstrated how Australian Classic...
In South Africa, where the classical culture itself was inextricably linked with its colonial past, ...
Adaptation of canonical works, especially Greek texts and Shakespeare has come across as a way write...
One of the interesting aspects of modern African drama is the fact that traces of the influence of G...
Faced with the criticism that myth and epic poetry have no place in contemporary South African liter...
This article presents the author’s development and teaching of a year-long module on Africa in Greco...
The play, The Gods Are Not to Blame is quite a successful adaptation of the Theban play, King Dedipu...
In Britain, where classical studies has long been well established within education, a case study of...
This dissertation of limited scope, part of a Course-work Master’s in Ancient Languages and Cultures...
1. INTRODUCTION During 1993, the two authors, in collaboration with Jessie Maritz (University of Zim...
The play, The Gods Are Not to Blame is quite a successful adaptation of the Theban play, King Dedipu...
About the book: This original collection of articles, derived in part from the papers presented at t...
Lisa Maurice rounds off the contributions with a discussion of the modern State of Israel. Here, dis...
Clearly, wherever myth forms part of an educational syllabus, value judgements have been made by tho...
This essay analyses Ayi Kwei Armah’s novels from the perspective of contemporary myth-making process...
Elizabeth Hale and Anna Foka’s focus is on Australia, where they demonstrated how Australian Classic...
In South Africa, where the classical culture itself was inextricably linked with its colonial past, ...
Adaptation of canonical works, especially Greek texts and Shakespeare has come across as a way write...
One of the interesting aspects of modern African drama is the fact that traces of the influence of G...
Faced with the criticism that myth and epic poetry have no place in contemporary South African liter...
This article presents the author’s development and teaching of a year-long module on Africa in Greco...
The play, The Gods Are Not to Blame is quite a successful adaptation of the Theban play, King Dedipu...
In Britain, where classical studies has long been well established within education, a case study of...
This dissertation of limited scope, part of a Course-work Master’s in Ancient Languages and Cultures...
1. INTRODUCTION During 1993, the two authors, in collaboration with Jessie Maritz (University of Zim...
The play, The Gods Are Not to Blame is quite a successful adaptation of the Theban play, King Dedipu...
About the book: This original collection of articles, derived in part from the papers presented at t...
Lisa Maurice rounds off the contributions with a discussion of the modern State of Israel. Here, dis...
Clearly, wherever myth forms part of an educational syllabus, value judgements have been made by tho...
This essay analyses Ayi Kwei Armah’s novels from the perspective of contemporary myth-making process...
Elizabeth Hale and Anna Foka’s focus is on Australia, where they demonstrated how Australian Classic...