This paper documents an extensive and varied series of performances by the authors over the past year using mobile technology, primarily iPad tablets running the Auraglyph musical sketchpad software. These include both solo and group performances, the latter under the auspices of the Mobile Ensemble of CalArts (MECA), a group created to perform music with mobile technology devices. As a whole, this diverse mobile technology-based performance practice leverages Auraglyph's versatility to explore a number of topical issues in electronic music performance, including the use of physical and acoustical space, audience participation, and interaction design of musical instruments
This article describes how percussive interaction informed the design, development and deployment of...
Classical music is characterized by its standardized practices and established patterns of audience ...
This paper presents an experimentation of an interactive per-formance system that enables audience p...
This paper describes the development of an Apple iPhone based mobile computer system for vibraphone ...
This thesis traces the development of a number of mobile computer music systems and their use in ens...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Ensemble Metatone was founded by Charles Martin in 2013 to create a collaborative performance practi...
This paper reports the goals, procedures and recent activities of the Smartphone Ensemble, an academ...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Fresh perspectives on teaching and evaluating music performance in higher education are offered in t...
Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.The performance i...
In this paper we present Fields, a sound diffusion performance implemented with web technologies tha...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Percussionists are unique among instrumentalists in that their artistic practice is defined by an ap...
This performance was part of a series of rehearsals-as-research by Ensemble Metatone to investigate ...
This article describes how percussive interaction informed the design, development and deployment of...
Classical music is characterized by its standardized practices and established patterns of audience ...
This paper presents an experimentation of an interactive per-formance system that enables audience p...
This paper describes the development of an Apple iPhone based mobile computer system for vibraphone ...
This thesis traces the development of a number of mobile computer music systems and their use in ens...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Ensemble Metatone was founded by Charles Martin in 2013 to create a collaborative performance practi...
This paper reports the goals, procedures and recent activities of the Smartphone Ensemble, an academ...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Fresh perspectives on teaching and evaluating music performance in higher education are offered in t...
Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.The performance i...
In this paper we present Fields, a sound diffusion performance implemented with web technologies tha...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Percussionists are unique among instrumentalists in that their artistic practice is defined by an ap...
This performance was part of a series of rehearsals-as-research by Ensemble Metatone to investigate ...
This article describes how percussive interaction informed the design, development and deployment of...
Classical music is characterized by its standardized practices and established patterns of audience ...
This paper presents an experimentation of an interactive per-formance system that enables audience p...