The emergence of a new technology can be considered as the result of social, cultural and technical process. Instrument designs are particularly influenced by cultural and aesthetic values linked to the specific contexts and communities that produced them. In previous work, we ran a design fiction workshop in which musicians created non-functional instrument mockups. In the current paper, we report on an online survey in which music technologists were asked to speculate on the background of the musicians who designed particular instruments. Our results showed several cues for the interpretation of the artefacts' origins, including physical features, body-instrument interactions, use of language and references to established music practices ...
How can we treat technological matter as yet another material from which our notions of possible fut...
This paper explores the role of materiality in Digital Musical Instruments and questions the influen...
No new technology appears in a society without causing changes to that society. Artists instinctivel...
The design of a new technology entails the materialisation of values emerging from the specific comm...
Digital musical instrument design is often presented as an open-ended creative process in which tech...
In digital musical instrument design, different tools and methods offer a variety of approaches for ...
This paper provides a study of a workshop which invited composers, musicians, and sounddesigners to ...
This paper provides a study of a workshop which invited composers, musicians, and sound designers to...
The design of traditional musical instruments is a process of incremental refinement over many centu...
Digital musical instrument design is often presented as an open-ended creative process in which tech...
Within the broader field of designing for digital musical interactions, there is an aspiration for m...
How can we treat technological matter as yet another material from which our notions of possible fut...
This paper reports on a workshop where participants produced physical mock-ups of musical interfaces...
This article explores how computation opens up possibilities for new musical practices to emerge thr...
In the field of human computer interaction (HCI) the limitations of prototypes as the primary artefa...
How can we treat technological matter as yet another material from which our notions of possible fut...
This paper explores the role of materiality in Digital Musical Instruments and questions the influen...
No new technology appears in a society without causing changes to that society. Artists instinctivel...
The design of a new technology entails the materialisation of values emerging from the specific comm...
Digital musical instrument design is often presented as an open-ended creative process in which tech...
In digital musical instrument design, different tools and methods offer a variety of approaches for ...
This paper provides a study of a workshop which invited composers, musicians, and sounddesigners to ...
This paper provides a study of a workshop which invited composers, musicians, and sound designers to...
The design of traditional musical instruments is a process of incremental refinement over many centu...
Digital musical instrument design is often presented as an open-ended creative process in which tech...
Within the broader field of designing for digital musical interactions, there is an aspiration for m...
How can we treat technological matter as yet another material from which our notions of possible fut...
This paper reports on a workshop where participants produced physical mock-ups of musical interfaces...
This article explores how computation opens up possibilities for new musical practices to emerge thr...
In the field of human computer interaction (HCI) the limitations of prototypes as the primary artefa...
How can we treat technological matter as yet another material from which our notions of possible fut...
This paper explores the role of materiality in Digital Musical Instruments and questions the influen...
No new technology appears in a society without causing changes to that society. Artists instinctivel...