This article documents a class that teaches gestural interaction and juxtaposestraditional instrumental skills with digital musical instrument concepts. Inorder to show the principles and reflections that informed the choices made indeveloping this syllabus, fundamental elements of an instrument-bodyrelationship and the perceptual import of sensori-motor integration areinvestigated. The methods used to let participants learn in practicalexperimental settings are discussed, showing a way to conceptualise andexperience the entire workflow from instrumental sound to electronictransformations by blending gestural interaction with digital musicalinstrument techniques and traditional instrumental playing skills. Thetechnical interfaces and softwa...
In this document, we describe a new approach to learning and practicing tonal harmony, a topic that ...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
In this paper we describe a nine-month longitudinal study in which twelve children (1st and 2nd grad...
The conceptual starting point for an `action-sound approach' to teaching music technology is the ack...
From existing literature overviews (e.g. Webster, 2002, 2011; Frankel, 2010) and from a growing numb...
AbstractThis article presents a platform for learning theoretical knowledge and practical motor skil...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper examines three functions of music technology in the study of music. Firstly, as a tool, s...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
Abstract - Europe has a very strong tradition of teaching how to play a musical instrument, leading...
Young music learners face a number of challenges, mostly because musical theory and practice are dee...
Commonly, music learners are required to practice with their instrument independently, requiring the...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
This paper presents a project called i-Maestro (www.i-maestro.org) which develops interactive multim...
This article showcases excerpts of my artistic research in progress. In particular, I demonstrate ho...
In this document, we describe a new approach to learning and practicing tonal harmony, a topic that ...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
In this paper we describe a nine-month longitudinal study in which twelve children (1st and 2nd grad...
The conceptual starting point for an `action-sound approach' to teaching music technology is the ack...
From existing literature overviews (e.g. Webster, 2002, 2011; Frankel, 2010) and from a growing numb...
AbstractThis article presents a platform for learning theoretical knowledge and practical motor skil...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper examines three functions of music technology in the study of music. Firstly, as a tool, s...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
Abstract - Europe has a very strong tradition of teaching how to play a musical instrument, leading...
Young music learners face a number of challenges, mostly because musical theory and practice are dee...
Commonly, music learners are required to practice with their instrument independently, requiring the...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
This paper presents a project called i-Maestro (www.i-maestro.org) which develops interactive multim...
This article showcases excerpts of my artistic research in progress. In particular, I demonstrate ho...
In this document, we describe a new approach to learning and practicing tonal harmony, a topic that ...
This paper explores the challenge of achieving nuanced control and physical engagement with gestural...
In this paper we describe a nine-month longitudinal study in which twelve children (1st and 2nd grad...