Attention is not constant but rather fluctuates over time and these attentional fluctuations may prioritize the processing of certain events over others. In music listening, the pleasurable urge to move to music (termed ‘groove’ by music psychologists) offers a particularly convenient case study of oscillatory attention because it engenders synchronous and oscillatory movements which also vary predictably with stimulus complexity. In this study, we simultaneously recorded pupillometry and scalp electroencephalography (EEG) from participants while they listened to drumbeats of varying complexity that they rated in terms of groove afterwards. Using the intertrial phase coherence of the beat frequency, we found that while subjects were listeni...
Keeping time is fundamental for our everyday existence. Various isochronous activities, such as loco...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
Background and objectives: Instances of polyrhythm (cf. Vuust et al., 2006) and microtiming (cf. Dan...
Attention is not constant but rather fluctuates over time. In order to efficiently parse the world a...
Abstract Groove, understood as an enjoyable compulsion to move to musical rhythms, typically varies ...
Beat perception is the ability to perceive temporal regularity in musical rhythm. When a beat is per...
AbstractBeat perception is the ability to perceive temporal regularity in musical rhythm. When a bea...
‘Groove’ can be understood as the (pleasurable) urge to move to music. Predictive accounts of music ...
This dissertation investigates the predictive and dynamic mechanisms underlying rhythm processing an...
Music often evokes spontaneous movements in listeners that are synchronized with the music, a phenom...
Moving to the groove of the music is a phenomenal and universal human behavior. Common characteristi...
The capacity to entrain motor action to rhythmic auditory stimulation is highly developed in humans ...
International audienceRhythmic entrainment is an important component of emotion induction by music, ...
When listening to auditory rhythms, such as in music, most people spontaneously and easily perceive ...
Movement, perception, and reward are fundamental processes underlying much of our behaviour which, a...
Keeping time is fundamental for our everyday existence. Various isochronous activities, such as loco...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
Background and objectives: Instances of polyrhythm (cf. Vuust et al., 2006) and microtiming (cf. Dan...
Attention is not constant but rather fluctuates over time. In order to efficiently parse the world a...
Abstract Groove, understood as an enjoyable compulsion to move to musical rhythms, typically varies ...
Beat perception is the ability to perceive temporal regularity in musical rhythm. When a beat is per...
AbstractBeat perception is the ability to perceive temporal regularity in musical rhythm. When a bea...
‘Groove’ can be understood as the (pleasurable) urge to move to music. Predictive accounts of music ...
This dissertation investigates the predictive and dynamic mechanisms underlying rhythm processing an...
Music often evokes spontaneous movements in listeners that are synchronized with the music, a phenom...
Moving to the groove of the music is a phenomenal and universal human behavior. Common characteristi...
The capacity to entrain motor action to rhythmic auditory stimulation is highly developed in humans ...
International audienceRhythmic entrainment is an important component of emotion induction by music, ...
When listening to auditory rhythms, such as in music, most people spontaneously and easily perceive ...
Movement, perception, and reward are fundamental processes underlying much of our behaviour which, a...
Keeping time is fundamental for our everyday existence. Various isochronous activities, such as loco...
The neural mechanisms of music listening and appreciation are not yet completely understood. Based o...
Background and objectives: Instances of polyrhythm (cf. Vuust et al., 2006) and microtiming (cf. Dan...