This paper explores the processes involved in the production of prehistoric paintings using inorganic pigmentation. The focus for discussion involves a number of rock-shelter sites that contain rock art within the western part of the Iberian Peninsula, with particular reference to the sites that contain Schematic rock art. A direct date cannot be obtained on rock art that is made with inorganic pigments. However, sampling and subsequent analysis has clearly shown that pigments were produced using tried and tested recipes that involved the use of sometimes organic binders. This paper will explore the chemical and mineralogical qualities of sampled pigments from a selected number of sites within Spain and Portugal and suggest that pigmentatio...
Naturally occurring minerals or their synthetic analogues have been important as pigments used in ar...
This paper contributes to current debates on the technologies and practices of prehistoric artists u...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
This paper explores the processes involved in the production of prehistoric paintings using inorgani...
This paper explores the processes involved in the production of prehistoric paintings using inorgani...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
International audienceArchaeologists have attempted the interpretation of rock art, but have often d...
International audienceThe materials used to make rock art contain important evidence about the cultu...
We present a new multi-analytical approach to the characterization of black pigments in Spanish Leva...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
International audienceSpanish Levantine Rock Art is a unique pictorial expression within the prehist...
Naturally occurring minerals or their synthetic analogues have been important as pigments used in ar...
This paper contributes to current debates on the technologies and practices of prehistoric artists u...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
This paper explores the processes involved in the production of prehistoric paintings using inorgani...
This paper explores the processes involved in the production of prehistoric paintings using inorgani...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
International audienceArchaeologists have attempted the interpretation of rock art, but have often d...
International audienceThe materials used to make rock art contain important evidence about the cultu...
We present a new multi-analytical approach to the characterization of black pigments in Spanish Leva...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
International audienceSpanish Levantine Rock Art is a unique pictorial expression within the prehist...
Naturally occurring minerals or their synthetic analogues have been important as pigments used in ar...
This paper contributes to current debates on the technologies and practices of prehistoric artists u...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...