This paper aims to redress current views about the impact of the French Revolution on German culture, focusing on Schiller and Hölderlin. In particular, it examines how German intellectuals were anything but entirely dependent on external, i.e. French, input in their theories of political leadership and constitution; rather, they were well able to rely on genuinely German patterns of thought. The connection Schiller-Hölderlin exemplifies this situation best: the latter’s novel Hyperion (1797-1799) depicts the failure of a political insurrection which, besides forming an obvious link to the French Revolution, uncovers a number of ideas which are to be traced back to the former’s essays Briefe über Don Karlos (1788) and Die Gesetzgebung des L...
Les Cahiers philosophiques de Strasbourg 52 contains an Introduction and 9 new research articles in ...
This article proposes to follow Friedrich Schiller’s and G.W.F. Hegel’s philosophical criticisms of ...
Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller ...
This paper aims to redress current views about the impact of the French Revolution on German culture...
This paper aims to redress current views about the impact of the French Revolution on German culture...
This collection of essays aims to give an overview of Schiller's dealing with the very idea of "revo...
Unlike the dominant vision, Schiller has taken into account the achievements of the French Revolutio...
The thesis presents an analysis of Friedrich Schiller’s works on the Thirty Years’ War: the historio...
1noFrom a philosophical-historical point of view, Schiller’s essay "On the sublime" is commonly cons...
In Schiller, the promise of equal and fraternal humanity becomes the exact opposite of a void saying...
From a philosophical-historical point of view, Schiller’s essay "On the sublime" is commonly conside...
This dissertation explores the transmission, reception, and cultural translation of the French Revol...
Angefangen vom Ende, das Johanna statt Hexe auf dem Scheiterhaufen im nationalistischen Glorienschei...
This article discusses these two writers as examples of political and cultural commentators who were...
Wie hat sich Schiller zur Demokratie verhalten? Obgleich politische und staatsrechtliche Debatten da...
Les Cahiers philosophiques de Strasbourg 52 contains an Introduction and 9 new research articles in ...
This article proposes to follow Friedrich Schiller’s and G.W.F. Hegel’s philosophical criticisms of ...
Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller ...
This paper aims to redress current views about the impact of the French Revolution on German culture...
This paper aims to redress current views about the impact of the French Revolution on German culture...
This collection of essays aims to give an overview of Schiller's dealing with the very idea of "revo...
Unlike the dominant vision, Schiller has taken into account the achievements of the French Revolutio...
The thesis presents an analysis of Friedrich Schiller’s works on the Thirty Years’ War: the historio...
1noFrom a philosophical-historical point of view, Schiller’s essay "On the sublime" is commonly cons...
In Schiller, the promise of equal and fraternal humanity becomes the exact opposite of a void saying...
From a philosophical-historical point of view, Schiller’s essay "On the sublime" is commonly conside...
This dissertation explores the transmission, reception, and cultural translation of the French Revol...
Angefangen vom Ende, das Johanna statt Hexe auf dem Scheiterhaufen im nationalistischen Glorienschei...
This article discusses these two writers as examples of political and cultural commentators who were...
Wie hat sich Schiller zur Demokratie verhalten? Obgleich politische und staatsrechtliche Debatten da...
Les Cahiers philosophiques de Strasbourg 52 contains an Introduction and 9 new research articles in ...
This article proposes to follow Friedrich Schiller’s and G.W.F. Hegel’s philosophical criticisms of ...
Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller ...