Mahesh Dattani’s play Tara deals with the theme of gender discrimination in the society. The present paper discusses and analyses how Dattani’s has shown the issues of marginalization of women in this play. It is a moving story of conjoined twins, Tara and Chandan. The play highlights how much a boy is given more importance than a girl in an Indian family. Dattani considers gender discrimination as unnatural and moral beliefs connected with principles bring out complex and multi-dimensional nature of issue. The play pictures the unacceptable and strong in uence of giving importance only to men in the collective awareness of society .These values of socialization which makes women weak physically and emotionally. Men always treat women ...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...
Badal Sircar is one of the greatest playwrights of modern Indian theatre. His play, Evam Indrajit is...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...
The purpose of this paper is to discuss how Mahesh Dattani exposes the hypocrisy of modern Indian so...
Mahesh Dattani is a distinguished contemporary Indian playwright in English who works as a writer, s...
Mahesh Dattani’s Tara, (2000) emphasizes the concept of gender discrimination and social issues that...
The history of Indian English Drama demonstrates the presence of individual talents and sporadic the...
Mahesh Dattani is a well known Indian English dramatist. He was born in 1958 in Bangalore, India. He...
The paper ‘Victimisation of Gender Conflict and Identity Crisis in Mahesh Dattani’s Tara and Dance L...
Mahesh Dattani’s plays are always concerned with the burning issues of alternate sexuality and women...
Mahesh Dattani’s play, Tara, has often been discussed in relation to feminism.But on closer inspecti...
Mahesh Dattani, is an avant-garde Indian English dramatist known for his radical and unconventional ...
The plays of Manjula Padmanabhan not only have a prominent place in the Indian English Drama, but al...
Mahesh Dattani, the first and the only Indian English dramatist to be awarded the prestigious Sahity...
Drama has been an ancient tool to mirror society and Indian dramatic tradition is an old establishme...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...
Badal Sircar is one of the greatest playwrights of modern Indian theatre. His play, Evam Indrajit is...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...
The purpose of this paper is to discuss how Mahesh Dattani exposes the hypocrisy of modern Indian so...
Mahesh Dattani is a distinguished contemporary Indian playwright in English who works as a writer, s...
Mahesh Dattani’s Tara, (2000) emphasizes the concept of gender discrimination and social issues that...
The history of Indian English Drama demonstrates the presence of individual talents and sporadic the...
Mahesh Dattani is a well known Indian English dramatist. He was born in 1958 in Bangalore, India. He...
The paper ‘Victimisation of Gender Conflict and Identity Crisis in Mahesh Dattani’s Tara and Dance L...
Mahesh Dattani’s plays are always concerned with the burning issues of alternate sexuality and women...
Mahesh Dattani’s play, Tara, has often been discussed in relation to feminism.But on closer inspecti...
Mahesh Dattani, is an avant-garde Indian English dramatist known for his radical and unconventional ...
The plays of Manjula Padmanabhan not only have a prominent place in the Indian English Drama, but al...
Mahesh Dattani, the first and the only Indian English dramatist to be awarded the prestigious Sahity...
Drama has been an ancient tool to mirror society and Indian dramatic tradition is an old establishme...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...
Badal Sircar is one of the greatest playwrights of modern Indian theatre. His play, Evam Indrajit is...
Mahesh Dattani is an authentic and realistic voice in the arena of contemporary Indian plays written...