Here, the photo-oxidative degradation of several terpenoid varnishes usually encountered in conservation of cultural heritage has been investigated. Samples were prepared by dissolving dammar, mastic, colophony, sandarac and bleached shellac in suitable solvents or by heating mastic, colophony, sandarac and Manila copal with linseed oil. The alteration effects of this broad set of samples induced by light exposure in an ageing chamber, were thoroughly characterized using transmission FTIR spectroscopy, colorimetry, and gravimetric measurements. The various varnishes exhibited a similar saturating photooxidative kinetics upon the exposure time but significant quantitative differences were pointed out. A decreasing of the methyl and methylene...
Terpenoic varnishes are used in artworks since 11th century. Their task is to protect the artworks a...
In this work, a portable-Raman device (excitation wavelength 1064 nm)was employed for the first time...
Oil paintings from the 20th and 21st centuries present a range of conservation issues different from...
he conservation of artworks is a key issue in cultural heritage. The alterations of the varnish coul...
The natural resin mastic, composed largely of triterpenes, is used as a varnish on artwork. This stu...
International audienceIn this study, natural varnishes used in ancient painting techniques were recr...
This thesis presents a study on the photochemical degradation of natural resins used in the manufact...
Photochemical and thermal aging of triterpenoid dammar and mastic resins used as varnishes on painti...
Dammar, a natural triterpenoid resin, is widely used as a picture varnish in art technology. Several...
The assessment of the influence of natural and artificial ageing on the spectrofluorescence of trite...
Analysis of bioorganic materials by infrared spectroscopy (FT-IR) is frequently limited due to overl...
This paper presents an analytical procedure based on gas chromatography separation and mass spectrom...
Naturally occurring diterpenoid resins were extensively applied, mainly as oily mixtures, through th...
XIII LACONA “Lasers in the Conservation of Artworks", Florence, on September 12-16, 2022 . -- http:/...
International audienceMixtures of a drying oil with a Pinaceae resin are among the most widespread n...
Terpenoic varnishes are used in artworks since 11th century. Their task is to protect the artworks a...
In this work, a portable-Raman device (excitation wavelength 1064 nm)was employed for the first time...
Oil paintings from the 20th and 21st centuries present a range of conservation issues different from...
he conservation of artworks is a key issue in cultural heritage. The alterations of the varnish coul...
The natural resin mastic, composed largely of triterpenes, is used as a varnish on artwork. This stu...
International audienceIn this study, natural varnishes used in ancient painting techniques were recr...
This thesis presents a study on the photochemical degradation of natural resins used in the manufact...
Photochemical and thermal aging of triterpenoid dammar and mastic resins used as varnishes on painti...
Dammar, a natural triterpenoid resin, is widely used as a picture varnish in art technology. Several...
The assessment of the influence of natural and artificial ageing on the spectrofluorescence of trite...
Analysis of bioorganic materials by infrared spectroscopy (FT-IR) is frequently limited due to overl...
This paper presents an analytical procedure based on gas chromatography separation and mass spectrom...
Naturally occurring diterpenoid resins were extensively applied, mainly as oily mixtures, through th...
XIII LACONA “Lasers in the Conservation of Artworks", Florence, on September 12-16, 2022 . -- http:/...
International audienceMixtures of a drying oil with a Pinaceae resin are among the most widespread n...
Terpenoic varnishes are used in artworks since 11th century. Their task is to protect the artworks a...
In this work, a portable-Raman device (excitation wavelength 1064 nm)was employed for the first time...
Oil paintings from the 20th and 21st centuries present a range of conservation issues different from...