Carnatic Music is a South Indian art and devotional music practice in which melodic patterns (motifs and phrases), known as sañcāras, play a crucial structural and expressive role. We demonstrate how the combination of transposition invariant features learnt by a Complex Autoencoder (CAE) and predominant pitch tracks extracted using a Frequency-Temporal Attention Network (FTA-Net) can be used to annotate and group regions of variable-length, repeated, melodic patterns in audio recordings of multiple Carnatic Music performances. These models are trained on novel/expert-curated datasets of hundreds of Carnatic audio recordings and the extraction process tailored to account for the unique characteristics of sañcāras in Carnatic Music. Experime...
CompMusic Carnatic Rhythm Dataset is a rhythm annotated test corpus for automatic rhythm analysis ta...
This repository contains the Saraga-Carnatic-Melody-Synth (SCMS), a dataset focusing on time-aligned...
Comunicació presentada a l'ICASSP 2015, International Conference on Acoustics, Speech, and Signal Pr...
This work has been accepted at the 23rd International Society for Music Information Retrieval Confer...
We present here a pipeline for the automated discovery of repeatedmotifs in audio. Our approach reli...
Comunicació presentada a la 10th International Conference on Signal Image Technology and Internet Ba...
Comunicació presentada a la 15th International Society for Music Information Retrieval Conference (I...
This work addresses the problem of melodic motif spot-ting, given a query, in Carnatic music. Melody...
Comunicació presentada a la 16th International Society for Music Information Retrieval Conference (I...
Comunicació presentada a la 2016 IEEE International Conference on Acoustics, Speech and Signal Proce...
Ragas are characterized by their melodic motifs or catch phrases that constitute strong cues to the ...
Intonation is a fundamental music concept that has a special relevance in Indian art music. It is ch...
The classical music traditions of the Indian subcontinent,/nHindustani and Carnatic, offer an excell...
Intonation is a fundamental music concept that has a special relevance in Indian art music. It is ch...
https://aimc2023.pubpub.org/pub/j9v30p0j Rāga is a fundamental melodic concept in Indian Art Mus...
CompMusic Carnatic Rhythm Dataset is a rhythm annotated test corpus for automatic rhythm analysis ta...
This repository contains the Saraga-Carnatic-Melody-Synth (SCMS), a dataset focusing on time-aligned...
Comunicació presentada a l'ICASSP 2015, International Conference on Acoustics, Speech, and Signal Pr...
This work has been accepted at the 23rd International Society for Music Information Retrieval Confer...
We present here a pipeline for the automated discovery of repeatedmotifs in audio. Our approach reli...
Comunicació presentada a la 10th International Conference on Signal Image Technology and Internet Ba...
Comunicació presentada a la 15th International Society for Music Information Retrieval Conference (I...
This work addresses the problem of melodic motif spot-ting, given a query, in Carnatic music. Melody...
Comunicació presentada a la 16th International Society for Music Information Retrieval Conference (I...
Comunicació presentada a la 2016 IEEE International Conference on Acoustics, Speech and Signal Proce...
Ragas are characterized by their melodic motifs or catch phrases that constitute strong cues to the ...
Intonation is a fundamental music concept that has a special relevance in Indian art music. It is ch...
The classical music traditions of the Indian subcontinent,/nHindustani and Carnatic, offer an excell...
Intonation is a fundamental music concept that has a special relevance in Indian art music. It is ch...
https://aimc2023.pubpub.org/pub/j9v30p0j Rāga is a fundamental melodic concept in Indian Art Mus...
CompMusic Carnatic Rhythm Dataset is a rhythm annotated test corpus for automatic rhythm analysis ta...
This repository contains the Saraga-Carnatic-Melody-Synth (SCMS), a dataset focusing on time-aligned...
Comunicació presentada a l'ICASSP 2015, International Conference on Acoustics, Speech, and Signal Pr...