At first glance, the practice of musical live coding seems distanced from the gestures and sense of embodiment common in musical performance, electronic or otherwise. This workshop seeks to explore the extent to which this assertion is justified, to re-examine notions of gesture and embodiment in the context of musical live coding performance, to consider historical approaches to synthesizing musical programming and gesture, and to look to the future for new ways of doing so. The workshop will consist firstly of a critical discussion of these issues and related literature. This will be followed by applied practical experiments involving ideas generated during these discussions. The workshop will conclude with a recapitulation and examinatio...
This thesis reviews the current literature for instrumental gesture and digital musical instruments....
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodie...
With the advent of real-time computer music programming languages, specialized practices have arisen...
Embodied interaction in live coding performance has been reported and is particularly present in dan...
This thesis is centered on the performance practice of musical live coding, which can be described a...
Text-based musical live coding (Collins et al, 2003) is approached from the notion of gesture as und...
Live coding is a performance practice where the musicians are indirectly involved with a generative ...
Live coding is the creative act of interactive code evaluations and online multimodal assessments. I...
Gestural interaction in live coding performance is still in its infancy, albeit the long tradition i...
The present paper acts as a viewpoint shared by two authors; a live coder who uses their programming...
This work describes a new approach to gesture mapping in a performance with a traditional musical in...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
The subject of this work is the exploration of methods for the characterization of instrumental gest...
This paper/demonstration explores relationships between code, notation including representation, vis...
The topic of gesture has received growing attention among music researchers over recent decades. Som...
This thesis reviews the current literature for instrumental gesture and digital musical instruments....
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodie...
With the advent of real-time computer music programming languages, specialized practices have arisen...
Embodied interaction in live coding performance has been reported and is particularly present in dan...
This thesis is centered on the performance practice of musical live coding, which can be described a...
Text-based musical live coding (Collins et al, 2003) is approached from the notion of gesture as und...
Live coding is a performance practice where the musicians are indirectly involved with a generative ...
Live coding is the creative act of interactive code evaluations and online multimodal assessments. I...
Gestural interaction in live coding performance is still in its infancy, albeit the long tradition i...
The present paper acts as a viewpoint shared by two authors; a live coder who uses their programming...
This work describes a new approach to gesture mapping in a performance with a traditional musical in...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
The subject of this work is the exploration of methods for the characterization of instrumental gest...
This paper/demonstration explores relationships between code, notation including representation, vis...
The topic of gesture has received growing attention among music researchers over recent decades. Som...
This thesis reviews the current literature for instrumental gesture and digital musical instruments....
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodie...
With the advent of real-time computer music programming languages, specialized practices have arisen...