Sonic experiences are usually considered as the result of auditory feedback alone. From a psychological standpoint, however, this is true only when a listener is kept isolated from concurrent stimuli targeting the other senses. Such stimuli, in fact, may either interfere with the sonic experience if they distract the listener, or conversely enhance it if they convey sensations coherent with what is being heard. This chapter is concerned with haptic augmentations having effects on auditory perception, for example how different vibrotactile cues provided by an electronic musical instrument may affect its perceived sound quality or the playing experience. Results from different experiments are reviewed showing that the auditory and somatosenso...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
When designing haptic feedback into human-computer interfaces the most common approach is to restric...
Ernst MO, Bresciani J-P, Drewing K. Feeling what you hear: Auditory signals can modulate the percept...
We present an experiment that investigated the effect of vibrotactile stimulation in auditory pitch ...
We present an experiment that investigated the effect of vibrotactile stimulation in auditory pitch ...
Cochlear implants (CIs) are remarkably effective at restoring hearing in severely-to-profoundly hear...
Cochlear implants (CIs) have been remarkably successful at restoring hearing in severely-to-profound...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
We draw from recent research in violin quality evaluation and piano performance to examine whether t...
Previous research indicated that sound can bias visual [14] as well as tactile perception [5,6]. Th...
With the increasing availability and quality of auditory and haptic means of interaction, it is not ...
trefwoorden: Audio, video and haptic stimulation; Influence of temporal and spatial patterns of (hap...
cote interne IRCAM: Lemaitre14cNone / NoneNational audienceResearch in sound perception generally fo...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
When designing haptic feedback into human-computer interfaces the most common approach is to restric...
Ernst MO, Bresciani J-P, Drewing K. Feeling what you hear: Auditory signals can modulate the percept...
We present an experiment that investigated the effect of vibrotactile stimulation in auditory pitch ...
We present an experiment that investigated the effect of vibrotactile stimulation in auditory pitch ...
Cochlear implants (CIs) are remarkably effective at restoring hearing in severely-to-profoundly hear...
Cochlear implants (CIs) have been remarkably successful at restoring hearing in severely-to-profound...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
We draw from recent research in violin quality evaluation and piano performance to examine whether t...
Previous research indicated that sound can bias visual [14] as well as tactile perception [5,6]. Th...
With the increasing availability and quality of auditory and haptic means of interaction, it is not ...
trefwoorden: Audio, video and haptic stimulation; Influence of temporal and spatial patterns of (hap...
cote interne IRCAM: Lemaitre14cNone / NoneNational audienceResearch in sound perception generally fo...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
When designing haptic feedback into human-computer interfaces the most common approach is to restric...
Ernst MO, Bresciani J-P, Drewing K. Feeling what you hear: Auditory signals can modulate the percept...