Several scholars pointed already out the very quick evolution of Xenakis’ style in his early works, from the folklorist tendancy of his first attempts to Dipli and Tripli Zyia (1952), the Anastenaria’s cycle and finally Metastasis (53-54). However documents held in Xenakis’ archives at the French National Library bring new lights on Xenakis’ evolution during those years and make possible to evaluate even more precisely the early building of his creative personnality. On Anastenaria cycle whose genesis has so far remained somewhat unclear, notebooks and sketches enlighten the processes brought into play and the links with Metastasis, seen wrongly at the present time as the third part of the cycle. The study of these processes will make possi...
International audienceDiamorphoses is the first electroacoustic work by Xenakis. Composed in the GRM...
Ces écrits échelonnés de 1955 à 1988 et réunis sous le titre Kéleüta, donnent un excellent aperçu de...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
International audienceThis paper moves from the observation that we can hardly characterize Xenakis’...
“I am a Classical Greek living in the twentieth century”, used to say Xenakis, meaning that he was a...
International audienceDuring the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (19...
Par rapport à l’article de Xenakis « Métastassis-Analyse » (2003), le matériau particulièrement abon...
International audienceOne of the main revolutions —and maybe the most important one— of twentieth ce...
This article offers a general view of Xenakis’s musical world, focusing on three of its main charact...
In the preface to the score of Metastaseis (1953-54), Xenakis indicates that certain of the work’s f...
Diamorphoses is the first electroacous0c work by Xenakis. Composed in the GRM, the historical studio...
The “ Mental Compositions used in Composition” (Xenakis). This article deals with the “ cognitivist...
This is a presentation of selected artists who extend Xenakis’ electroacoustic thinking. I concentra...
The paper talks about some aspects of Xenakis’ philosophical orientation from a soteriological persp...
The quest of authenticity and originality and not of imitation has always been the most important el...
International audienceDiamorphoses is the first electroacoustic work by Xenakis. Composed in the GRM...
Ces écrits échelonnés de 1955 à 1988 et réunis sous le titre Kéleüta, donnent un excellent aperçu de...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
International audienceThis paper moves from the observation that we can hardly characterize Xenakis’...
“I am a Classical Greek living in the twentieth century”, used to say Xenakis, meaning that he was a...
International audienceDuring the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (19...
Par rapport à l’article de Xenakis « Métastassis-Analyse » (2003), le matériau particulièrement abon...
International audienceOne of the main revolutions —and maybe the most important one— of twentieth ce...
This article offers a general view of Xenakis’s musical world, focusing on three of its main charact...
In the preface to the score of Metastaseis (1953-54), Xenakis indicates that certain of the work’s f...
Diamorphoses is the first electroacous0c work by Xenakis. Composed in the GRM, the historical studio...
The “ Mental Compositions used in Composition” (Xenakis). This article deals with the “ cognitivist...
This is a presentation of selected artists who extend Xenakis’ electroacoustic thinking. I concentra...
The paper talks about some aspects of Xenakis’ philosophical orientation from a soteriological persp...
The quest of authenticity and originality and not of imitation has always been the most important el...
International audienceDiamorphoses is the first electroacoustic work by Xenakis. Composed in the GRM...
Ces écrits échelonnés de 1955 à 1988 et réunis sous le titre Kéleüta, donnent un excellent aperçu de...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...