Cinematographic Thinking as a Phenomenon of the Subconscious Perception in the Art

The article deals with the specificity of A. Bergson's ideas about the phenomenon of the subconscious in cinema, based on the theory of perception, the concept of “cinematic mechanism of thinking”, and are the instrument of reality reproduction. The purpose of the article is to study the possibilities of perceiving reality by means of art and cinema. The study looks into the phenomenon of the subconscious in cinema to be a significant visual field problem. The methodology of the research is based on the method of theoretical generalization, art criticism, empirical and philosophical analysis. Scientific novelty consists in an in-depth understanding of the phenomenon of cinematic thinking as a subconscious art perception, based on the ideas of A. Bergson. Conclusions. The structural community of different art types, the existence of artistic text and artistic image, the conscious and unconscious, the subconscious, and art universals are determined