Depictions of Negroes and Pygmies occupy a special place in ancient Greek pottery and iconography. The artistic value and stylistic peculiarities of these vessels go hand in hand, in almost every case, with a disposition of a sociological and anthropological approach to the subject. Their entry into the ancient Greek world aroused the interest of artists and was the trigger and the means for Greek art to take a direction that would serve the specific political needs of ancient Greek society advocating diversity as the main feature of its supremacy, and using every means to promote this perception. The first approaches of Negroes and Pygmies, however, are governed more by a spirit of observation and scientific curiosity and less by an attemp...
During the restoration of the West Wall at Tiryns in 1957 a deposit of Mycenaean pottery of unique ...
A RED-FIGURE OINOCHOE IN THE MUSEUM OF KAVALA (Plates 45-5 0, Fig. 1) A fragment of an oinochoe (mug...
Bronze Age Aegean (ca. 3500–1100 B.C.) wall paintings from the islands of Crete and Thera depict mon...
A new interpretation of the scene on the krater of the Dinos Painter in Gela My tribute to Professor...
All attempts to identify and characterize the elements of the Greek city-state in the course of hist...
In the following essay is attempted a brief recording of the historical course of Greek monumental s...
In the following paper we briefly present the characteristics of the Athenian democracy, based on th...
Having analyzed the studies on the world ethnic music [Schneider, 1934; 1957; Hood, 1957; Kolinski, ...
Kabiric pygmies in Thebes : from previous results to new prospects. The kabiric vases showing pygmi...
The Etruscans developed an impressive culture since 8th century BCE. Their art as special cultural e...
Any attempt to highlight the elements of prehistoric art is a de facto complex process and requires ...
History not only captures the great moments of humanity, but also monitors man in his long course an...
İnsanoğlu, var oluşundan itibaren toprak ile iç içe yaşamaktadır. İlkel insanlar ateşi bulduklarında...
The Greek iconography of Pygmies, especially those of Boeotian Kabirion, is the result of a long and...
In Classical Greek vase-painting, young individuals of both sexes are depicted playing skill and cha...
During the restoration of the West Wall at Tiryns in 1957 a deposit of Mycenaean pottery of unique ...
A RED-FIGURE OINOCHOE IN THE MUSEUM OF KAVALA (Plates 45-5 0, Fig. 1) A fragment of an oinochoe (mug...
Bronze Age Aegean (ca. 3500–1100 B.C.) wall paintings from the islands of Crete and Thera depict mon...
A new interpretation of the scene on the krater of the Dinos Painter in Gela My tribute to Professor...
All attempts to identify and characterize the elements of the Greek city-state in the course of hist...
In the following essay is attempted a brief recording of the historical course of Greek monumental s...
In the following paper we briefly present the characteristics of the Athenian democracy, based on th...
Having analyzed the studies on the world ethnic music [Schneider, 1934; 1957; Hood, 1957; Kolinski, ...
Kabiric pygmies in Thebes : from previous results to new prospects. The kabiric vases showing pygmi...
The Etruscans developed an impressive culture since 8th century BCE. Their art as special cultural e...
Any attempt to highlight the elements of prehistoric art is a de facto complex process and requires ...
History not only captures the great moments of humanity, but also monitors man in his long course an...
İnsanoğlu, var oluşundan itibaren toprak ile iç içe yaşamaktadır. İlkel insanlar ateşi bulduklarında...
The Greek iconography of Pygmies, especially those of Boeotian Kabirion, is the result of a long and...
In Classical Greek vase-painting, young individuals of both sexes are depicted playing skill and cha...
During the restoration of the West Wall at Tiryns in 1957 a deposit of Mycenaean pottery of unique ...
A RED-FIGURE OINOCHOE IN THE MUSEUM OF KAVALA (Plates 45-5 0, Fig. 1) A fragment of an oinochoe (mug...
Bronze Age Aegean (ca. 3500–1100 B.C.) wall paintings from the islands of Crete and Thera depict mon...