My research work focuses on a particular approach to symbolic modeling of music, concerned with the possible development of a new model of computer music system Active Musical Instruments. I will show that the basis of this model is present in several ideas that have emerged in the recent past. I will also show that here converge concepts from relevant research areas that are under continuous and growing development, such as Algorithmic Music Systems, Interactive Music Systems, Mapping, and Human Computer Interfaces. I intend to contribute to the setting-up of a formalized framework for the study of Active Instruments as a model of a new kind of computer-based musical instrument. So, the elaboration of a theoretical, conceptual and methodol...
Evolution is now considered not only powerful enough to bring about the biological entities as compl...
Traditional Musical Computation Systems had to face the differences between the computational techni...
Abstract — In this paper we introduce Interactive Musical Environments (iMe), an interactive intelli...
This thesis studies rhythm from an evolutionary computation perspective. Rhythm is the most fundamen...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
This chapter examines a range of approaches to algorithmic music making inspired by biological syste...
Abstract — Artificial Life (A-Life) and Evolutionary Algorithms (EA) provide a variety of new techni...
Abstract — We are interested in developing intelligent systems for music composition. In this paper ...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
AbstractThis paper is a chronicle of the composition of four pieces during the period 1988–1993: The...
Algorithms, simulations and data collections from the sciences constitute an important source of ins...
Algorithmic composition is the usage of mathematical processes to produce music. In this study an ex...
In this paper, we initially present an algorithm for automatic composition of melodies using chaotic...
Live coding performances provide a context with particular demands and limitations for music making....
This paper presents an algorithmic composition technique derived from Markov chain modeling, which ...
Evolution is now considered not only powerful enough to bring about the biological entities as compl...
Traditional Musical Computation Systems had to face the differences between the computational techni...
Abstract — In this paper we introduce Interactive Musical Environments (iMe), an interactive intelli...
This thesis studies rhythm from an evolutionary computation perspective. Rhythm is the most fundamen...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
This chapter examines a range of approaches to algorithmic music making inspired by biological syste...
Abstract — Artificial Life (A-Life) and Evolutionary Algorithms (EA) provide a variety of new techni...
Abstract — We are interested in developing intelligent systems for music composition. In this paper ...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
AbstractThis paper is a chronicle of the composition of four pieces during the period 1988–1993: The...
Algorithms, simulations and data collections from the sciences constitute an important source of ins...
Algorithmic composition is the usage of mathematical processes to produce music. In this study an ex...
In this paper, we initially present an algorithm for automatic composition of melodies using chaotic...
Live coding performances provide a context with particular demands and limitations for music making....
This paper presents an algorithmic composition technique derived from Markov chain modeling, which ...
Evolution is now considered not only powerful enough to bring about the biological entities as compl...
Traditional Musical Computation Systems had to face the differences between the computational techni...
Abstract — In this paper we introduce Interactive Musical Environments (iMe), an interactive intelli...