INScore is an environment for the design of augmented interactive music scores turned to non-conventional use of music notation. The environment allows arbitrary graphic resources to be used and composed for the music representation. It supports symbolic music notation, described using Guido Music Notation or MusicXML formats. The environment has been extended to provided score level composition using a set of operators that consistently take scores as arguments to compute new scores as output. INScore API supports now score expressions both at OSC and at scripting levels. The work is based on a previous research that solved the issues of the notation consistency across scores composition. This paper focuses on the language level and explai...
Ratioscore is a text-based musical score representation system that expresses pitches as integer rat...
cote interne IRCAM: Agon07aInternational audienceThis article presents a new type of document develo...
In this article, we introduce an original approach to computerized music analysis within the graphic...
INScore is an environment for the design of augmented interactive music scores turned to non-convent...
INScore is an environment for the design of augmented interactive music scores opened to conventiona...
International audienceThe presented work is part of the INScore project, an environment for the desi...
International audienceWe present an online environment for the design of musical scores, also allowi...
The present work uses common Western music notation to represent logical and systematic behaviours o...
"We present an online environment for the design of musical scores, also allowing for the embedding ...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
This paper discusses a graphically oriented representation for music and how such representation sys...
The theory of interactive scores addresses the writing and execution of temporal constraints between...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The Internet is flooded with many musical score resources. However, because each resource is describ...
The current research applies the Abjad API for Formalized Score Control (Bača, Oberholtzer, and Adán...
Ratioscore is a text-based musical score representation system that expresses pitches as integer rat...
cote interne IRCAM: Agon07aInternational audienceThis article presents a new type of document develo...
In this article, we introduce an original approach to computerized music analysis within the graphic...
INScore is an environment for the design of augmented interactive music scores turned to non-convent...
INScore is an environment for the design of augmented interactive music scores opened to conventiona...
International audienceThe presented work is part of the INScore project, an environment for the desi...
International audienceWe present an online environment for the design of musical scores, also allowi...
The present work uses common Western music notation to represent logical and systematic behaviours o...
"We present an online environment for the design of musical scores, also allowing for the embedding ...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
This paper discusses a graphically oriented representation for music and how such representation sys...
The theory of interactive scores addresses the writing and execution of temporal constraints between...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The Internet is flooded with many musical score resources. However, because each resource is describ...
The current research applies the Abjad API for Formalized Score Control (Bača, Oberholtzer, and Adán...
Ratioscore is a text-based musical score representation system that expresses pitches as integer rat...
cote interne IRCAM: Agon07aInternational audienceThis article presents a new type of document develo...
In this article, we introduce an original approach to computerized music analysis within the graphic...