This paper proposes that the physicality of an instrument be considered an important aspect in the design of new interfaces for musical expression. The use of Laban's theory of effort in the design of new effortful interfaces, in particular looking at effortspace modulation, is investigated, and a platform for effortful interface development (named the DAMPER) is described. Finally, future work is described and further areas of research are highlighted
Most, if not all, composing is done through some form of interface, in which the composer makes modi...
An interface is a field of abstractions where two systems interact with one another. We typically us...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
Human movement is central to instrumental musical performance. Beyond the apparent connection betwee...
This chapter focuses on the interface - the part of the instrument that facilitates interaction betw...
A general strategy for encouraging embodied engagement within musical interface design is introduced...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
In the recent years many touch screen interfaces have been designed and used for musical control. Wh...
Culture Lab, University of Newcastle; and Centre for Digital Innovation, Tongji University, Shanghai...
This paper documents the initial prototyping of a new digital musical instrument. Specifically, it f...
This paper reports on the process of development of a virtual-acoustic proto-instrument, Vodhrán, ba...
This paper reviews the existing literature on input device evaluation and design in human-computer i...
The field of new musical performance interfaces is currently undergoing a process of formalisation. ...
Most, if not all, composing is done through some form of interface, in which the composer makes modi...
An interface is a field of abstractions where two systems interact with one another. We typically us...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
Human movement is central to instrumental musical performance. Beyond the apparent connection betwee...
This chapter focuses on the interface - the part of the instrument that facilitates interaction betw...
A general strategy for encouraging embodied engagement within musical interface design is introduced...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
In the recent years many touch screen interfaces have been designed and used for musical control. Wh...
Culture Lab, University of Newcastle; and Centre for Digital Innovation, Tongji University, Shanghai...
This paper documents the initial prototyping of a new digital musical instrument. Specifically, it f...
This paper reports on the process of development of a virtual-acoustic proto-instrument, Vodhrán, ba...
This paper reviews the existing literature on input device evaluation and design in human-computer i...
The field of new musical performance interfaces is currently undergoing a process of formalisation. ...
Most, if not all, composing is done through some form of interface, in which the composer makes modi...
An interface is a field of abstractions where two systems interact with one another. We typically us...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...