This work presents a general framework method for cre-ating spatialization systems focused on electroacoustic andacousmatic music performance and creation. Although weused the logistic equation as orbit generator, any dynami-cal system could be suitable. The main idea lies on generating vectors of Rn with entriesfrom data series of di_x000B_erent orbits from an speci_x000C_c dynami-cal system. Such vectors will be called system vectors. Ourproposal is to create ordered paths between those pointsor system vectors using the Splines Quark library by Felix,1which allow us to generate smooth curves joining the points.Finally, interpolating that result with a _x000C_xed sample value,we are able to obtain speci_x000C_c and independent multidimen-s...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
This paper outlines a method of applying non-linear processing and effects to multi-point spatial di...
Multi-channel reproduction of spatial audio can be approached in several ways. Typically, several l...
This dissertation deals with strategies in spatialization of music. It tries to explore a certain co...
This paper introduces a series of techniques and approaches to algorithmic timbral spatialisation, t...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
Beginning with a brief historical overview of spatial audio and music practices, this chapter looks ...
cote interne IRCAM: Einbond10aNational audienceCorpus-based concatenative synthesis presents unique ...
International audienceThis paper presents a spatial approach to build spaces of musical chords as si...
This paper presents an implementation for dynamic two or three dimensional spatial distribution of g...
This paper presents investigations for complex sound generation based on modified classic chaotic di...
The use of Wave Terrain Synthesis as a control mechanism is a governing system that allows the perfo...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
Abstract—This paper presents a spatial approach to build spaces of musical chords as simplicial comp...
cote interne IRCAM: Cacciatore13aNone / NoneNational audienceTamonontamo (2012) is a piece for ampli...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
This paper outlines a method of applying non-linear processing and effects to multi-point spatial di...
Multi-channel reproduction of spatial audio can be approached in several ways. Typically, several l...
This dissertation deals with strategies in spatialization of music. It tries to explore a certain co...
This paper introduces a series of techniques and approaches to algorithmic timbral spatialisation, t...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
Beginning with a brief historical overview of spatial audio and music practices, this chapter looks ...
cote interne IRCAM: Einbond10aNational audienceCorpus-based concatenative synthesis presents unique ...
International audienceThis paper presents a spatial approach to build spaces of musical chords as si...
This paper presents an implementation for dynamic two or three dimensional spatial distribution of g...
This paper presents investigations for complex sound generation based on modified classic chaotic di...
The use of Wave Terrain Synthesis as a control mechanism is a governing system that allows the perfo...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
Abstract—This paper presents a spatial approach to build spaces of musical chords as simplicial comp...
cote interne IRCAM: Cacciatore13aNone / NoneNational audienceTamonontamo (2012) is a piece for ampli...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
This paper outlines a method of applying non-linear processing and effects to multi-point spatial di...
Multi-channel reproduction of spatial audio can be approached in several ways. Typically, several l...