During the pandemic, the idea that digital adoption would revolutionise audience engagement became widespread in the museum sector. This paper explores whether this is true, utilising tools and debates from the digital humanities to analyse the online content and audiences of a representative sample of 315 museums in the UK
Information and Communication Technologies offer considerable possibilities for supporting cultural...
In recent years public engagement is increasingly viewed as more than an 'additional extra' in acade...
Museums have specialized in the onsite exhibition of non-digital collection objects for hundreds of ...
This paper examines social media activity by UK museums during the COVID-19 pandemic. There is a gen...
The novel coronavirus spurred a keen interest in digital technologies for museums as both cultural p...
The novel coronavirus spurred a keen interest in digital technologies for museums as both cultural p...
Abstract copyright UK Data Service and data collection copyright owner.Digital media technologies ar...
This case study offers a combination of content analysis of secondary sources web sites and annual r...
This article examines the role of online resources hosted by museums as a means to communicate, enge...
Two topics currently lead the debates in the museum sector: audience development and the use of digi...
This essay argues that simply putting a museum’s collection online, or cre-ating a digital kiosk tha...
In the first quarter of 2020, the doors of museums around the world shut and their operations at phy...
Since the outbreak of the COVID-19 pandemic, arts and culture have experienced a paradoxical situati...
Abstract The first quarter of 2020 heralded the beginning of an uncertain future for museums and gal...
Museums have engaged with web audiences and web technologies with mixed success. Some careful consid...
Information and Communication Technologies offer considerable possibilities for supporting cultural...
In recent years public engagement is increasingly viewed as more than an 'additional extra' in acade...
Museums have specialized in the onsite exhibition of non-digital collection objects for hundreds of ...
This paper examines social media activity by UK museums during the COVID-19 pandemic. There is a gen...
The novel coronavirus spurred a keen interest in digital technologies for museums as both cultural p...
The novel coronavirus spurred a keen interest in digital technologies for museums as both cultural p...
Abstract copyright UK Data Service and data collection copyright owner.Digital media technologies ar...
This case study offers a combination of content analysis of secondary sources web sites and annual r...
This article examines the role of online resources hosted by museums as a means to communicate, enge...
Two topics currently lead the debates in the museum sector: audience development and the use of digi...
This essay argues that simply putting a museum’s collection online, or cre-ating a digital kiosk tha...
In the first quarter of 2020, the doors of museums around the world shut and their operations at phy...
Since the outbreak of the COVID-19 pandemic, arts and culture have experienced a paradoxical situati...
Abstract The first quarter of 2020 heralded the beginning of an uncertain future for museums and gal...
Museums have engaged with web audiences and web technologies with mixed success. Some careful consid...
Information and Communication Technologies offer considerable possibilities for supporting cultural...
In recent years public engagement is increasingly viewed as more than an 'additional extra' in acade...
Museums have specialized in the onsite exhibition of non-digital collection objects for hundreds of ...