Through manuscripts, as well as through documentation and research in conservation studios, the methods used by old master panel makers to manufacture panels used as painting supports have become much clearer. The guild rules that have been preserved are also an important source of information to the extent that they mention points applicable to the joiners or panel makers. In Antwerp, the earliest documents from the guild of Saint Luke date to the last quarter of the fourteenth century, with the first regulations dated 1442. The guild comprised not only painters, but many members of the various crafts related to art production, including lace makers, instrument makers, and panel makers. Joiners were not members of the guild of Saint Luke i...
The ‘Strasbourg Manuscript’ is a well-known example of artistic literature, presented in the form of...
This thesis presents technical art historical research on five Kenning banners of Glasgow Museums Co...
11th- to early 13th-century medieval polychrome sculptures can be considered as ancestral testimony ...
The marking and branding of oak panel painting supports is a well-known practice in art-production c...
The need for a quality control of Antwerp oak panels for painters in 1617 became structured with det...
In 1617 the need for quality control of Antwerp oak panels used by painters became structured via de...
第六百號記念特集號The method of oil painting on a wooden panel or canvas--the well-known and standard forms o...
The Brueg(h)el family was successfully active over a large period in the sixteenth and seventeenth c...
Mosaic has peculiar status in art across thousands of years. Since antiquility when mosaic governed ...
Until the early 17th century almost all portable paintings were created on woodsupports, including m...
Pre-World War II art historical research on late medieval altarpieces in Norway was concerned predom...
International audienceWall paintings may be studied accorded to 3 complementary investigation ways: ...
Between 1500 and 1800 preparing a masterpiece for carpenters, just as for other crafts, was a requir...
The patron saint of the bricklayers' guild varied from town to town: St Barbara occurs regularly, bu...
Two examples of technical and physical evidence of early-medieval stained-glass workshop practices a...
The ‘Strasbourg Manuscript’ is a well-known example of artistic literature, presented in the form of...
This thesis presents technical art historical research on five Kenning banners of Glasgow Museums Co...
11th- to early 13th-century medieval polychrome sculptures can be considered as ancestral testimony ...
The marking and branding of oak panel painting supports is a well-known practice in art-production c...
The need for a quality control of Antwerp oak panels for painters in 1617 became structured with det...
In 1617 the need for quality control of Antwerp oak panels used by painters became structured via de...
第六百號記念特集號The method of oil painting on a wooden panel or canvas--the well-known and standard forms o...
The Brueg(h)el family was successfully active over a large period in the sixteenth and seventeenth c...
Mosaic has peculiar status in art across thousands of years. Since antiquility when mosaic governed ...
Until the early 17th century almost all portable paintings were created on woodsupports, including m...
Pre-World War II art historical research on late medieval altarpieces in Norway was concerned predom...
International audienceWall paintings may be studied accorded to 3 complementary investigation ways: ...
Between 1500 and 1800 preparing a masterpiece for carpenters, just as for other crafts, was a requir...
The patron saint of the bricklayers' guild varied from town to town: St Barbara occurs regularly, bu...
Two examples of technical and physical evidence of early-medieval stained-glass workshop practices a...
The ‘Strasbourg Manuscript’ is a well-known example of artistic literature, presented in the form of...
This thesis presents technical art historical research on five Kenning banners of Glasgow Museums Co...
11th- to early 13th-century medieval polychrome sculptures can be considered as ancestral testimony ...