Purpose In the last few years, the size of Linked Open Data (LOD) describing artworks, in general or domain-specific Knowledge Graphs (KGs), is gradually increasing. This provides (art-)historians and Cultural Heritage professionals with a wealth of information to explore. Specifically, structured data about iconographical and iconological (icon) aspects, i.e. information about the subjects, concepts and meanings of artworks, are extremely valuable for the state-of-the-art of computational tools, e.g. content recognition through computer vision. Nevertheless, a data quality evaluation for art domains, fundamental for data reuse, is still missing. The purpose of this study is filling this gap with an overview of art-historical data quality ...
Cultural heritage institutions have a great deal to gain from deeply engaging in the networked envir...
Documenting is a crucial activity for any museum or art institution. Today, that importance is growi...
the project, called “Apollo and Daphne and iconographic research: digital methodologies for art hist...
none3noIconology is a branch of art history that investigates the meaning of artworks in relation to...
In this work, we introduce ICON, an ontology that models artistic interpretations of artworks’ subje...
This article describes work undertaken at the Warburg Institute in London into the definition of mac...
none1noIn this article a comparative analysis of art historical linked open data are presented. The ...
Cultural heritage collections available as linked open data (LOD) may contain harmful stereotypes ab...
ArtDL is a novel painting data set for iconography classification composed of images collected from ...
International audienceThe rise of digitization of cultural documents offers large-scale contents, op...
Contextualising heterogeneous object data with regard to their geographical, temporal and iconograph...
Automatic art analysis has seen an ever-increasing interest from the pattern recognition and compute...
Iconography in art is the discipline that studies the visual content of artworks to determine their ...
The growth and population of the Semantic Web, especially the Linked Open Data (LOD) Cloud, has brou...
This contribution explores the instructive tensions between art-historical research and semantic dat...
Cultural heritage institutions have a great deal to gain from deeply engaging in the networked envir...
Documenting is a crucial activity for any museum or art institution. Today, that importance is growi...
the project, called “Apollo and Daphne and iconographic research: digital methodologies for art hist...
none3noIconology is a branch of art history that investigates the meaning of artworks in relation to...
In this work, we introduce ICON, an ontology that models artistic interpretations of artworks’ subje...
This article describes work undertaken at the Warburg Institute in London into the definition of mac...
none1noIn this article a comparative analysis of art historical linked open data are presented. The ...
Cultural heritage collections available as linked open data (LOD) may contain harmful stereotypes ab...
ArtDL is a novel painting data set for iconography classification composed of images collected from ...
International audienceThe rise of digitization of cultural documents offers large-scale contents, op...
Contextualising heterogeneous object data with regard to their geographical, temporal and iconograph...
Automatic art analysis has seen an ever-increasing interest from the pattern recognition and compute...
Iconography in art is the discipline that studies the visual content of artworks to determine their ...
The growth and population of the Semantic Web, especially the Linked Open Data (LOD) Cloud, has brou...
This contribution explores the instructive tensions between art-historical research and semantic dat...
Cultural heritage institutions have a great deal to gain from deeply engaging in the networked envir...
Documenting is a crucial activity for any museum or art institution. Today, that importance is growi...
the project, called “Apollo and Daphne and iconographic research: digital methodologies for art hist...