Within the polysystemic field of Design, the question of "Emotions" leads to the relation between Subject and Object. In order to show how, I will suggest that, both at the level of the production and at the level of the reception of designed Objects, Emotions in the field of design are linked to the rules of the Systems involved, the positioning of the Subjects towards the Systems and "Object a", a Lacanian borrowed concept. Emotions, therefore, will be presented as relying on the systemic led relations between Subjects and designed Objects as these include an embedded "Object a"
The actual globalised market suggests that most indus- trial products can be sold everywhere in the ...
Designing for emotion is very well established in older design disciplines such as advertising, fash...
Different social classes diverge in their goals, concerns and attitudes towards material objects. Th...
Numerous designers, sociologists, and psychologists have written about the relationships we establis...
Industrial design is a form-giving process which addresses the surface appearance of objects in rela...
In the last 20 years, the debate on the role of emotions in the field of industrial design has grown...
In the last 20 years, the debate on the role of emotions in the field of industrial design has grown...
The methodological crux of emotional design lies in the taxonomic variability arising from the compl...
As emotions and emotional experiences have become the focus of recent design arguments, a number of ...
Emotional relationships with material objects can not be thought as isolated from social and materia...
This paper considers some implications of extending recent approaches to design and emotion from the...
Affective design, alternatively called (with slight variations in meaning) hedonic design, emotional...
This paper explores theoretical issues in ergonomics related to semantics and the emotional content ...
Various studies on Emotion and Design have been proposed and adopted in the recent decades. After ca...
Different social classes diverge in their goals, concerns and attitudes towards material objects. Th...
The actual globalised market suggests that most indus- trial products can be sold everywhere in the ...
Designing for emotion is very well established in older design disciplines such as advertising, fash...
Different social classes diverge in their goals, concerns and attitudes towards material objects. Th...
Numerous designers, sociologists, and psychologists have written about the relationships we establis...
Industrial design is a form-giving process which addresses the surface appearance of objects in rela...
In the last 20 years, the debate on the role of emotions in the field of industrial design has grown...
In the last 20 years, the debate on the role of emotions in the field of industrial design has grown...
The methodological crux of emotional design lies in the taxonomic variability arising from the compl...
As emotions and emotional experiences have become the focus of recent design arguments, a number of ...
Emotional relationships with material objects can not be thought as isolated from social and materia...
This paper considers some implications of extending recent approaches to design and emotion from the...
Affective design, alternatively called (with slight variations in meaning) hedonic design, emotional...
This paper explores theoretical issues in ergonomics related to semantics and the emotional content ...
Various studies on Emotion and Design have been proposed and adopted in the recent decades. After ca...
Different social classes diverge in their goals, concerns and attitudes towards material objects. Th...
The actual globalised market suggests that most indus- trial products can be sold everywhere in the ...
Designing for emotion is very well established in older design disciplines such as advertising, fash...
Different social classes diverge in their goals, concerns and attitudes towards material objects. Th...