In the article, it is demonstrated that musical performing art can be one of the ideological means of national communities formation. The comparative analysis of the number of documented public musical performances in China, Europe, Russia and Americas in 1700–1960s and the quantity of the documented public speeches of national ideologists, is carried out. Their correlation is discussed
Over the past few decades, the Chinese performing arts have gained popularity in the Western world. ...
This is a two-part project: in the first part of my thesis, I exam Chinese minority’s identities thr...
In the last decade, China's government has been supportive of various cultural trends in creative ci...
UID/EAT/00472/2013Political and social transition in a territory raises a set of variables that affe...
The subject of this study is the historical development of a vehicle for a form of western art (the ...
This article describes the history of the performing arts, the practice of folk classical music of t...
The purpose of the article is to analyse the development of the worldview system of Ancient China, i...
The twentieth century saw the spread of Western art music across the world as Western ideology and v...
Abstract: Chairman Mao Zedong utilized Chinese music as propaganda to mobilize the Chinese people to...
International audienceThis article addresses two forms of musical events in contemporary China: the ...
Conference title: 'Forging the Nation: Performance and Ritual in the (Re) production of Nations
An early article is devoted to the study of the concept of Eurasianism in the context of comparativ...
textThe modernization of Chinese culture has been a major feature of domestic policy since the Chin...
Authoritarian regimes are known for their heavy scrutiny of music and art whose expressive content m...
Taking a fundamentally chronological approach, the chapter discusses music and the various forms of ...
Over the past few decades, the Chinese performing arts have gained popularity in the Western world. ...
This is a two-part project: in the first part of my thesis, I exam Chinese minority’s identities thr...
In the last decade, China's government has been supportive of various cultural trends in creative ci...
UID/EAT/00472/2013Political and social transition in a territory raises a set of variables that affe...
The subject of this study is the historical development of a vehicle for a form of western art (the ...
This article describes the history of the performing arts, the practice of folk classical music of t...
The purpose of the article is to analyse the development of the worldview system of Ancient China, i...
The twentieth century saw the spread of Western art music across the world as Western ideology and v...
Abstract: Chairman Mao Zedong utilized Chinese music as propaganda to mobilize the Chinese people to...
International audienceThis article addresses two forms of musical events in contemporary China: the ...
Conference title: 'Forging the Nation: Performance and Ritual in the (Re) production of Nations
An early article is devoted to the study of the concept of Eurasianism in the context of comparativ...
textThe modernization of Chinese culture has been a major feature of domestic policy since the Chin...
Authoritarian regimes are known for their heavy scrutiny of music and art whose expressive content m...
Taking a fundamentally chronological approach, the chapter discusses music and the various forms of ...
Over the past few decades, the Chinese performing arts have gained popularity in the Western world. ...
This is a two-part project: in the first part of my thesis, I exam Chinese minority’s identities thr...
In the last decade, China's government has been supportive of various cultural trends in creative ci...
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