About the General Bases of Ornamentality in the Applied Art of the Turkish-speaking Peoples

The purpose of the study is to consider the main identification parameters of ornamentality in the decorative and applied art of the Turkic world. The research methodology is based on the comparative typological method, because the comparative analysis reveals, on the one hand, the general universals of ornamentation in the decorative and applied art of the Turkic-speaking peoples, on the other hand, their specificity. The methodology of the study is also based on the principle of historicism because the principle of historicism orients the study on the interrelationships of cultures in the space of stages in the history of peoples. It is the historical and cultural vector that allows us to fully present the picture of the common dominants of ornamentality in the decorative and applied art of the Turkic peoples. The conclusions of the article indicate that the decorative and applied art of the Turkic-speaking peoples has certain typologically significant grounds for kinship. The article formulates provisions that have a certain perspective on the classification of the material. The effectiveness of the study also concerns its practical significance, because it allows us to interpret ornamentality as a single functional principle of the morphological system of arts. The scientific novelty of the presented article lies in the fact that for the first time the general bases of ornamentality in the decorative and applied art of the Turkic-speaking peoples are generalized and differentiated. Ethnocultural models of the worldview of the Turkic peoples and their connection with ornamental formulas are involved in the analysis