Tonal Pitch Space (TPS) defines a numerical distance between two chord interpretations. Although it is based on musical knowledge and theory, the structure and values are not defined in an objective manner. Preceding works have addressed this problem, and TPS has been revised and optimized the definitions of distance, in the interpretation of chord paths, given chord names. In these former works, which notions that appear in TPS work contribute to the distance has not been clarified; among which the contribution of the basic-space is rather ambiguous. In this study, we modify the task to incorporate pitch class (PC) information so that we can not only train other distance models that concern PC but also compare their performance with that o...
Although chords are often represented by pitch-class (chroma) content in computational research, cho...
This study conducted a perceptual analysis of an excerpt from Beethoven's WaJdstein piano sonat...
A new method for the recognition of the tonal center or key in a musical audio signal is presented....
A chord name can be interpreted in multiple ways, so a sequence of chord names has combinatorially m...
Multidimensional-scaling models of tonal hierar-chy encode cognitive relationships between chords as...
We compare three contrasting models of the perceived distance between root-position major and minor ...
In his 2001 monograph Tonal Pitch Space, Fred Lerdahl defined a distance function over tonal and pos...
Abstract. Pitch Class Profiles (PCP) [Fujishima 1999] are largely used for all applications involvin...
<p>We compare three contrasting models of the perceived distance between root-position major and min...
The time-span tree of Jackendoff and Lehrdahl’s Generative Theory of Tonal Music is one of the most ...
Models of the perceived distance between pairs of pitch collections are a core component of broader ...
This paper explores three tonal properties of pitch-class sets. Tonal implication is the key that a ...
The focus of this paper is to give an overview of existing circular pitch spaces, its special proper...
International audienceChord progressions are core elements of Western tonal harmony regulated by mul...
The definition of pitch distance (fixed factor 4), which is the absolute difference between the cong...
Although chords are often represented by pitch-class (chroma) content in computational research, cho...
This study conducted a perceptual analysis of an excerpt from Beethoven's WaJdstein piano sonat...
A new method for the recognition of the tonal center or key in a musical audio signal is presented....
A chord name can be interpreted in multiple ways, so a sequence of chord names has combinatorially m...
Multidimensional-scaling models of tonal hierar-chy encode cognitive relationships between chords as...
We compare three contrasting models of the perceived distance between root-position major and minor ...
In his 2001 monograph Tonal Pitch Space, Fred Lerdahl defined a distance function over tonal and pos...
Abstract. Pitch Class Profiles (PCP) [Fujishima 1999] are largely used for all applications involvin...
<p>We compare three contrasting models of the perceived distance between root-position major and min...
The time-span tree of Jackendoff and Lehrdahl’s Generative Theory of Tonal Music is one of the most ...
Models of the perceived distance between pairs of pitch collections are a core component of broader ...
This paper explores three tonal properties of pitch-class sets. Tonal implication is the key that a ...
The focus of this paper is to give an overview of existing circular pitch spaces, its special proper...
International audienceChord progressions are core elements of Western tonal harmony regulated by mul...
The definition of pitch distance (fixed factor 4), which is the absolute difference between the cong...
Although chords are often represented by pitch-class (chroma) content in computational research, cho...
This study conducted a perceptual analysis of an excerpt from Beethoven's WaJdstein piano sonat...
A new method for the recognition of the tonal center or key in a musical audio signal is presented....