The presented sound synthesis system allows the individual spatialization of spectral components in real-time, using a sinusoidal modeling approach within 3-dimensional sound reproduction systems. A co-developed, dedicated haptic interface is used to jointly control spectral and spatial attributes of the sound. Within a user study, participants were asked to create an individual mapping between control parameters of the interface and rendering parameters of sound synthesis and spatialization, using a visual programming environment. Resulting mappings of all participants are evaluated, indicating the preference of single control parameters for specific tasks. In comparison with mappings intended by the development team, the results validate ...
As spatial sound technology becomes more accessible, interest among theatrical sound designers and c...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...
In 1962 Karlheinz Stockhausen’s “Concept of Unity in Electronic Music” introduced a connection betwe...
International audienceIn virtual auditory environments, sound generation is typically based on a two...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
International audienceIn this article we describe our ongoing research and development efforts towar...
Broader use of virtual reality environments and sophisticated animations spawn a need for spatial so...
International audienceThe synthesis of spatialised sound environment is a mean to increase the "sens...
This paper aims to present a novel interface for composing and performing with granular synthesis. T...
cote interne IRCAM: Jot97bNone / NoneNational audienceThis paper discusses efficient digital signal ...
cote interne IRCAM: Bresson12bInternational audienceWe survey works and applications of visual progr...
The authors have developed several methods for spatially distributing spectral material in real-time...
The field of real time sound spatizalization is recently receiving much attention, as suggested by t...
The tools for spatial composition typically model just a small subset of the spatial audio cues know...
As spatial sound technology becomes more accessible, interest among theatrical sound designers and c...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...
In 1962 Karlheinz Stockhausen’s “Concept of Unity in Electronic Music” introduced a connection betwe...
International audienceIn virtual auditory environments, sound generation is typically based on a two...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
International audienceIn this article we describe our ongoing research and development efforts towar...
Broader use of virtual reality environments and sophisticated animations spawn a need for spatial so...
International audienceThe synthesis of spatialised sound environment is a mean to increase the "sens...
This paper aims to present a novel interface for composing and performing with granular synthesis. T...
cote interne IRCAM: Jot97bNone / NoneNational audienceThis paper discusses efficient digital signal ...
cote interne IRCAM: Bresson12bInternational audienceWe survey works and applications of visual progr...
The authors have developed several methods for spatially distributing spectral material in real-time...
The field of real time sound spatizalization is recently receiving much attention, as suggested by t...
The tools for spatial composition typically model just a small subset of the spatial audio cues know...
As spatial sound technology becomes more accessible, interest among theatrical sound designers and c...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...
Sound generators and synthesis engines expose a large set of parameters, allowing run-time timbre mo...