СВІТ ГУЦУЛЬЩИНИ КРІЗЬ ПРИЗМУ МАЛЯРСТВА ВЛАДИСЛАВА ЯРОЦЬКОГО

The author considers artistic, aesthetic and visual conceptual basis of European art of the second half of the XIX-th — beginning of the XX-th century in this article. He analyzes what caused interest in Hutsulshchyna with its unique culture, and inspired V. Yarots’ky to monumental and decorative searches in painting. The author researches peculiarities of compositional structures of his works, principles of plastics and style, ethnographic and aesthetic grounds of implementation of an art idea