The paper focuses on how ambivalence sets off a scandalous locus exclusively intended for Caliban and Ariel in The Tempest. Caliban, a colonized-divided-self, is incapable of reproducing himself accurately to the European settlers. This provocative feature stimulates Caliban and Ariel to be turbulent for liberty resulting from their resistance and rebellion against Prospero and the colonial legacy reinforcing their hybridization that intimidates Prospero too to lose his sole authority over the island, and trials his ‘monolithic power. Ariel is a submissive spirit unlike Caliban; he is deprived of the concrete human figure where Caliban is portrayed as a semi-human creature. Consequently, the ambivalent portrayal of Ariel and Caliban emphasi...
In this paper, our aim is to focus on Shakespeare's The Tempest in the light of the supernatural wor...
Ariel and Caliban, an invisible fairy and a monstrous creature in Shakespeare’s The Tempest, played ...
This is a comparative study between Shakespeare´s The Tempest and Paule Marshall´s Brazi...
The paper focuses on how ambivalence sets off a scandalous locus exclusively intended for Caliban an...
This paper explores colonialism and post-colonial theory in Shakespeare's The Tempest. The actions o...
This thesis engages with Shakespeare’s The Tempest, analyzing the character Caliban as a critique of...
Jan Kott wrote that in Tempest there is Ariel's music and Caliban's music and that there have not be...
William Shakespeare’s (1564-1616) theatrical work The Tempest was first performed in 1611 at the cou...
This article focuses on the hybrid and how it is put into perspective on Prospero’s island. First Ca...
tion of resistance to European cultural dominance—a project to “de-mythify ” Shakespeare’s canonical...
Abstract: Owing to the vague description of Caliban’s characterization in Shakespeare’s play The Tem...
The paper focuses on how the colonizers who in this play are Prospero and Miranda in particular, end...
Since Edmond Malone first scented the presence of the Bermuda pamphlets wafting from its pages back ...
If the study of Shakespeare itself can be viewed as an act of cultural imperialism, a play like The ...
Prospero in Shakespeare's last play, The Tempest, written around 1611 and first published seven year...
In this paper, our aim is to focus on Shakespeare's The Tempest in the light of the supernatural wor...
Ariel and Caliban, an invisible fairy and a monstrous creature in Shakespeare’s The Tempest, played ...
This is a comparative study between Shakespeare´s The Tempest and Paule Marshall´s Brazi...
The paper focuses on how ambivalence sets off a scandalous locus exclusively intended for Caliban an...
This paper explores colonialism and post-colonial theory in Shakespeare's The Tempest. The actions o...
This thesis engages with Shakespeare’s The Tempest, analyzing the character Caliban as a critique of...
Jan Kott wrote that in Tempest there is Ariel's music and Caliban's music and that there have not be...
William Shakespeare’s (1564-1616) theatrical work The Tempest was first performed in 1611 at the cou...
This article focuses on the hybrid and how it is put into perspective on Prospero’s island. First Ca...
tion of resistance to European cultural dominance—a project to “de-mythify ” Shakespeare’s canonical...
Abstract: Owing to the vague description of Caliban’s characterization in Shakespeare’s play The Tem...
The paper focuses on how the colonizers who in this play are Prospero and Miranda in particular, end...
Since Edmond Malone first scented the presence of the Bermuda pamphlets wafting from its pages back ...
If the study of Shakespeare itself can be viewed as an act of cultural imperialism, a play like The ...
Prospero in Shakespeare's last play, The Tempest, written around 1611 and first published seven year...
In this paper, our aim is to focus on Shakespeare's The Tempest in the light of the supernatural wor...
Ariel and Caliban, an invisible fairy and a monstrous creature in Shakespeare’s The Tempest, played ...
This is a comparative study between Shakespeare´s The Tempest and Paule Marshall´s Brazi...